Darren Almond at Matthew Marks Gallery

There’s something subtly odd about Darren Almond’s recent series of landscape photos, which seem not-so-extraordinary at first glance.  The series’ ‘Fullmoon’ title gives the game away, however, revealing that each of the photos in this show has been taken in the light of a full moon.  Verdant landscapes and smooth water surfaces are an eye-pleasing surprise, but the ephemeral beauty of these cherry blossoms is a delight.  (At Matthew Marks’ 522 West 22nd Street space through April 20th).  

Darren Almond, ‘Fullmoon@Sakura Hanami,’ c-print mounted to aluminum in artist’s frame, 2006.

Charles Ray at Matthew Marks Gallery

Charles Ray, Shoe Tie, solid stainless steel, 2012.
Charles Ray, Shoe Tie, solid stainless steel, 2012.

Charles Ray’s sculptural self-portrait is stunningly perfect – his body has the unflawed, fluid shine of poured mercury – and relentlessly banal – he sports an everyman physique and needs to tie a shoelace.  This first impression holds true to the man vs machine process he used to create the sculpture: a digital drawing is recreated as a clay sculpture which becomes the model for a computer controlled machine that sculpts the sculpture from a solid piece of steel. (At Matthew Marks Gallery on 22nd Street through Jan 12.)