Al Taylor at David Zwirner Gallery

Using telephone cable and pipes from local construction sites, Al Taylor created this sculpture on site for an exhibition in Denmark in 1997. Here, the cables read like colorful and jittery lines connecting solid objects whose shapes suggest the entire piece might literally begin to move. (At David Zwirner Gallery, 20th Street location through Feb 14th.)

Al Taylor, Full Gospel Neckless (Dog Act), P.E. plastic tubes, rubber wheel chocks and plastic-coated copper telephone cable, 27 ½ x 206 x 64 inches, 1997.

Giuseppe Gabellone at Andrew Kreps Gallery

Like a giant emptied beanbag chair, Italian artist Giuseppe Gabellone’s ‘Acid Green’ fabric installation flops in the corner of Andrew Kreps’ Chelsea gallery, transforming the space and color of the room. Part of a show of work by artists who push their materials, the piece boldly occupies its space while suggesting future uses for the fabric. (Through Dec 20th).

Giuseppe Gabellone, Verde Acido, velvet fabric, acrylic padding, 590 ½ x 452 ¾ inches, 2012.

Judy Pfaff at Pavel Zoubok Gallery & Loretta Howard Gallery

Known for abstract art crafted with a superabundance of non-art materials, Judy Pfaff outdoes herself in two solo shows at Chelsea’s Pavel Zoubok Gallery and Loretta Howard Gallery. Here, she uses paper lanterns, honeycombed paper and expandable foam in a floor-to-ceiling artwork that suggests explosive force, high temperatures, decay and fossilization. (This piece included in Pavel Zoubok’s installation, both shows through Nov 15th).

Judy Pfaff, Belle Starr/Blue Duck, paper, pigmented expanded foam, acrylic, resin and honeycomb, 118 x 132 x 24 inches, 2014.

Sam Moyer at Rachel Uffner Gallery

Sam Moyer, known for working her canvases over with ink and bleach, pairs up weathered cloth (on top) with slabs of marble (below), making a knowing comparison between her own process art and nature’s rather slower processes. (At Rachel Uffner Gallery on the Lower East Side through June 8th).

Sam Moyer, Zola, stone, ink on canvas mounted to mdf panel, 80 x 69 x .75 inches, 2014.

Rob Fischer at Derek Eller Gallery

Created from recycled materials, Rob Fischer’s ‘Good Weather (Glass House)’ on view at Chelsea’s Derek Eller Gallery offers bare bones living with a utilitarian kitchen and basic loft bedroom as well as an opportunity to commune with your surroundings, whether urban more info

or rural. (Through April 19th).

Rob Fischer, Good Weather (Glass House),’ glass, steel, screenprint ink, acrylic and latex paint, construction adhesive, wood floor, lights, wires, 175 x 223 x 126 inches, 2014.