Simen Johan at Yossi Milo Gallery

Simen Johan’s dramatic photographs of animals are convincing at first glance, then give viewers pause to consider.  Johan’s skillful digital manipulations allow a panda to appear ready to nurse furry little black and white creatures which turn out to be skunks, while in another image, a longhorn bull poses comfortably in an Alpine scene, though the animal may be more at home in Texas.   In its original setting, this wolf was having its belly rubbed; in the gallery, its blank look and menacing teeth capitalize on preconceived ideas about the animal’s ferocity.  (On view in Chelsea at Yossi Milo Gallery through Dec 7th).

Simen Johan, Untitled #195, digital c-print, image: 49 ½ x 40 inches, 2018.

Jana Paleckova at Edward Thorp Gallery

Self-taught Czech artist Jana Paleckova’s endlessly inventive paintings on original vintage photos reimagine the past in humorous and surreal ways.  The apparent awkwardness of these boys and their wary-looking adult takes on new meaning, given the gormless looking cyclops in their ranks. (On view through August 3rd at Edward Thorp Gallery in Chelsea).

Jana Paleckova, untitled (man, boys and furry cyclops,) oil paint on vintage photograph, 7h x 9w inches, 2017.

John Houck at On Stellar Rays

Known for clever analogue photo manipulation, John Houck’s latest body of work adds painting to the mix. Houck paints around items borrowed from friends – here a mason jar – in successive arrangements, gradually building one composite photo that disrupts traditional picture space. (At On Stellar Rays on the Lower East Side through May 22nd).

John Houck, Incidental and Intentional, archival pigment print, 28 ½ x 21 ½ inches, 2015.
John Houck, Incidental and Intentional, archival pigment print, 28 ½ x 21 ½ inches, 2015.