Andy Warhol in ‘Pearlstein/Warhol/Cantor’ at Betty Cunningham

Sixteen years before his solo debut at LA’s Ferus Gallery, Andy Warhol was just another art student at Carnegie Tech. Here, the whimsical character, if not the elegantly wavering line of his later commercial illustrations is prefigured in a student assignment from 1946. (At Betty Cunningham Gallery on the Lower East Side through Feb 13th).

 Andy Warhol, Kids on Swings, tempera on board, 31 x 26 7/8 inches, 1946.

Rachel de Joode in ‘Not a Photo’ at The Hole NYC

Dutch artist Rachel de Joode creates a striking optical illusion at The Hole NYC with two flat photographic images mounted to PVC that momentarily appear to be 3-D. Part of The Hole’s excellent exhibition of art indebted to photographic processes, de Joode’s images of man-handled clay exist in a dimension of their own. (On the Lower East Side through Jan 16th).

Rachel de Joode, ‘Here I am and things that exist. Ow! XIV (foreground), archival inkjet print on PVC with pedestal, 60 x 34 x 14 inches, 2015.

Tschabalala Self in Berg Matthams Self & Weaver




Young New York artist Tschabalala Self draws on the art historical tradition of the reclining nude to present a doll-like body composed of parts (including an extra leg).   It’s a figure that looks to be made for changing. (At Thierry Goldberg Gallery on the Lower East Side through January 16th).

Tschabalala Self, Pieces of Me, oil and acrylic on paper, 60 x 44 inches, 2015.


Daniel Hesidence at Canada New York




Like Claes Oldenburg’s Ray Gun series, for which he gathered found objects that had a gun-like shape, Daniel Hesidence’s latest series of paintings – subtitled ‘Summer’s Gun’ – tempt his audience into a game of looking for and interpreting the various forms that take center stage against heavily textured backgrounds.  Set among calming, green-tones, an arrow-head or skull-like shape dominates this image, suggesting a still partially buried archaeological find.  (At Canada NY on the Lower East Side through Jan 6th).

 Daniel Hesidence, Untitled (Summer’s Gun), oil on canvas, 59 x 78 inches, 2015.


Angel Otero at Lehmann Maupin Gallery




Using skins of dried, peeled paint as a collage material, Angel Otero adheres color to his canvas in fleshy pinks and mustard yellows that recall deKooning’s sensuous Pink Angels tempered by a cooler palette.  (At Lehmann Maupin on the Lower East Side through Dec 31st).

Angel Otero, Come Sleep with Me: We Won’t Make Love, Love will Make Us, oil paint and fabric collaged on canvas, 96 x 72 x 2.5 inches, 2015.