Clementine Keith-Roach’s sculptures at PPOW Gallery combine found vessels with casts of her own body to explore her experience of motherhood. During her first pregnancy, the artist felt as if she was a ‘labouring vessel’ and made the connection literal by joining carefully painted limbs to used and worn ceramics. Paired with her husband Christopher Page’s paintings depicting mirrors with no reflection and cloud-filled windows, the exhibition explores interiority in both the physical and psychological realms. (On view through July 1st in Tribeca).
