What does your bookcase say about you? London-based artist Dylan Stone memorializes his film producer parents’ collection of books, LPs and video-cassettes in a huge painting at Chelsea’s Josee Bienvenu Gallery (seen here in detail). So much pre-digital media rendered in the ageless media of watercolor makes a poignant comment on longevity. (Through Dec 13th.)
Dylan Stone, detail from Barbara and David Stone’s Videos, LPs and Books, watercolor on paper, 110 x 150 inches, 2014.
If making abundant free chocolate to give to gallery visitors seems like a blatant ploy to get people talking about your artwork, you’d be reading Oscar Murillo’s latest show at Chelsea’s David Zwirner Gallery correctly. The young, London-based Columbian artist intends visitors to his candy factory – operated by visiting Columbian staffers – to take some to share, spreading the conversation about migration and commerce. (Through June 14th).
Oscar Murillo, installation view of ‘A Merchantile Novel’ at David Zwirner Gallery, April 2014.
‘Dolly meets the Greek’ by London-based artist Jill Mason assembles unconnected elements – Princess Di hair, a cartoon ear and a scrap piece of siding painted with waves – to create a funny, cheeky portrait befitting a surreal romance novel. (At Nicelle Beauchene Gallery on the Lower East Side through May 18th).
Jill Mason, Dolly meets the Greek, oil on canvas, 55 x 47 ¼ inches, 2013.
Iran-born, London-based artist Shirazeh Houshiary offers twisting columns of anodized blocks as a contrast to the minutely detailed, veil-like patterns covering abstract paintings like the diptych in the background here. Like twisters or stepping feet, they literalize an unidentified and unseen force. (At Lehmann Maupin’s Lower East Side location through Dec 28th).
Shirazeh Houshiary, Eddy, anodized aluminum, 2013 (foreground) and Echo, pencil, pigments and black aquacryl on canvas and aluminum, 2013 (background).
London-based Brazilian artist Alexandre da Cunha’s cement-mixer turned art-object brings to mind ancient bells or a new archaeological find. Supported by a concrete square on a plinth on the concrete gallery floor, it points to the labor involved in art-making and exhibiting. (At the Lower East Side’s Simon Preston Gallery through August 4th).
Alexandre da Cunha, Full Catastrophe (drum XIV), cement mixer drum, concrete, wooden plinth, 2013.
