Anish Kapoor at Barbara Gladstone Gallery

Anish Kapoor’s monumental sculpture ‘She Wolf’ appears to be tipping over under its own weight, or deliberately leaning to the gallery floor from its marble pedestal. Given the title, giant quasi-oval shapes suggest teats, though a covering of soil over the structure’s rocky forms ties it to the earth, creating a kind of living geology. (At Barbara Gladstone Gallery’s 21st Street location through June 11th).

Anish Kapoor, She Wolf, resin, earth and marble, 107 x 355 x 209 inches, 2016.
Anish Kapoor, She Wolf, resin, earth and marble, 107 x 355 x 209 inches, 2016.

Chloe Sells at Julie Saul Gallery

Working between London and Botswana, American artist Chloe Sells shoots the natural beauty of the Okavango Swamps, then uses screens, overlays and hand painting in the darkroom to create unique prints with what the artist calls a ‘dreamy effect.’ (At Julie Saul Gallery in Chelsea through June 11th).

Chloe Sells, Full Moon and Stars, unique chromogenic print, 34 ¼ x 23 ¾ inches framed, 2016.
Chloe Sells, Full Moon and Stars, unique chromogenic print, 34 ¼ x 23 ¾ inches framed, 2016.

 

Shezad Dawood at Jane Lombard Gallery

It’s not the vibrant colors and energetic forms of Shazad Dawood’s ‘Anselm Chapel, Tokyo,’ (seen here in detail) but the strong diagonal lines that connect the London-based artist’s abstract painting on vintage textile with its namesake – Czech/American architect Antonin Raymond’s stark, concrete house of worship. Reconciling opposite appearances seems beside the point with such a joyous composition. (At Jane Lombard Gallery through May 14th).

Shezad Dawood, Anselm Chapel, Tokyo (detail), acrylic on vintage textile, 61.81 x 93.7 inches, 2016.
Shezad Dawood, Anselm Chapel, Tokyo (detail), acrylic on vintage textile, 61.81 x 93.7 inches, 2016.

Neil Raitt at Nicelle Beauchene Gallery

Using techniques from ‘how to’ TV shows on painting, British artist Neil Raitt makes odd juxtapositions of cabins and mountains, cacti and palm trees in repeating patterns that are like digital wallpaper but carefully hand-rendered. (At Nicelle Beauchene Gallery on the Lower East Side through March 13th).

Neil Raitt, installation view of ‘Fantasty Traveller’ at Nicelle Beauchene Gallery, Feb 2016.
Neil Raitt, installation view of ‘Fantasty Traveller’ at Nicelle Beauchene Gallery, Feb 2016.

Francis Upritchard and Martino Gamper at Anton Kern Gallery




Sculptor Francis Upritchard and her designer husband Martino Gamper ask in a collaborative installation of their respective work, just what you’d do if a scrawny spinosaurus were to run across your dining table? Gamper’s playful patterning and richly colored fabrics and Upritchard’s quirky dinosaur cast the scenario in whimsy and pull out a chair for us to join in. (At Anton Kern Gallerythrough Feb 20th).

Francis Upritchard, Paper Spinosaurous, papier-mache, metal armature and modeling, 30 x 101 9/16 x 18 1/8 inches, 2014. Martino Gamper, Black and White Table, linoleum, blockboard, walnut, 107 x ¾ x 39 2/3 inches, 2015. Ice Cream Chairs, steel structure and upholstery, 19 ½ x 15 ¾ x 32 ½ inches, 2015.