ektor garcia’s ‘portal (guadalajara)’ connects not only to his upbringing by female relatives who supported the family in Mexico and the U.S. with their skill at crochet but also to the earth in its warm, terracotta color. In another piece, a long slim panel of oxidized copper lined with crochet artificial sinew speaks to the building value of minerals derived from the land and its feminized embellishment while his ‘chainmale’ glazed ceramics resemble metal links but are crafted from a more fragile material. (On view in ‘garcia, Raina, Shore, Tossin’ at Luhring Augustine Gallery in Chelsea through August 16th).
