Meghann Riepenhoff at Yossi Milo Gallery

Whether she’s boldly charging into the Pacific Ocean or gingerly stepping into a placid pond to expose a cyanotype, Meghan Riepenhoff continues to generate fascinating and beautiful cameraless images of water.  For this multi-panel work, the artist dipped her prepared photo paper into Utah’s Great Salt Lake, sprinkled on salt from the ground and allowed the work to dry, propped in the sun.  (On view in Chelsea at Yossi Milo Gallery through June 22nd).

Meghann Riepenhoff, Littoral Drift #1170 (Polyptych, Great Salt Lake, UT 08.25.18, Lapping Waves at Shoreline of Antelope Island), six dynamic cyanotypes, approx. 88 x 42 inches, unique, 2018.