Jason Moran at Luhring Augustine Gallery

Areas of darker and lighter blue in jazz pianist and composer Jason Moran’s bold new abstractions at Luhring Augustine suggest intervals of energy and calm, control and freedom.  Moran made the works by placing pigment on Gampi paper, laid atop a keyboard, then enacting private performances – ‘surrogates to the concerts I was unable to perform in 2020,’ he explains.  Paired with tracks from his new album, the works suggest both transcendence and engagement with the challenges of life over the past year.  (On view at Luhring Augustine’s Tribeca space through Feb 27th).

Jason Moran, Went wild and left in Silence, pigment on Gampi paper, 25 1/8 x 37 ½ inches, 2020.

Elias Sime at James Cohan Gallery

A swirling, starry sky crafted from braided electrical wire hovers over a curving organic landscape made from keyboard keys in this detail from Ethiopian artist Elias Sime’s collaged wall panel at James Cohan Gallery. Abstract yet suggestive of a landscape, this piece is testament to the resourcefulness of turning manmade objects – discarded electronics – into objects recalling natural beauty. (On view at James Cohan Gallery’s Chelsea location through June 17th).

Elias Sime, (detail) Tightrope: Evolution 2, reclaimed electrical wires on panel, 91 x 94 inches, 2017.