In Keith Sonnier’s ‘Ba-O-Ba’ series, lines of neon connect geometric glass shapes and bathe the surrounding space in color. Placed on the floor against the wall, the pieces originally served as performance sets that would include the performers’ bodies as a further reflected element. (At Mary Boone Gallery’s Chelsea space through Feb 23rd).
Keith Sonnier, ‘Ba-O-Ba II,’ neon, glass/transformer, 1969.
