Cecily Brown on The Brooklyn Rail and from New York Art Tours Archive

Figures emerge and recede in Cecily Brown’s energetic gestural expressionism; this Nov ’17 photo from New York Art Tour’s archives features a face so subtle it seems to have emerged by chance from the drips and lines of paints surrounding it.  It’s a great moment to catch up with Brown’s latest work on Instagram @dellyrose – where she’s been posting paintings featuring far more direct characters – and via The Brooklyn Rail’s daily live lunchtime conversation tomorrow, April 1st with Jason Rosenfeld, Editor-at-large. (Access is free and by Zoom.  Visit Eventbrite to book).

Cecily Brown, detail from Sirens and Shipwrecks and Bathers and the Band, oil on linen, 97 x 151 x 1.5 inches, 2016.

Ruby Rumie and Justine Graham at Nohra Haime Gallery

Can you guess who is the housekeeper in each of these photos and who is the employer?  Columbian artist Ruby Rumie and French-American photographer Justine Graham teamed up to question the perceived and real differences between one hundred women in photographs and accompanying interviews at Nohra Haime Gallery.  As the uniform white shirts worn by the women suggest, Rumie and Graham emphasize the women’s shared hopes, fears and more in questionnaires and videos that foreground their similarities.   (On view in Chelsea through Nov 16th).

Ruby Rumie, installation view of ‘Common Place’ at Nohra Haime Gallery, Oct 2019.

Kader Attia at Lehmann Maupin Gallery

In an eighteen-screen installation set in a warren of cubicles at Lehmann Maupin Gallery, French-Algerian artist Kader Attia explores western vs non-western approaches to mental health in a series of monologues by European and African health professionals. The dehumanizing office environment contrasts the intimacy of each screening space, resulting in an unsettling experience that invites new discoveries. (At Lehmann Maupin’s Lower East Side location through March 4th).

Kader Attia, Reason’s Oxymorons, 18 films and installation of cubicles, duration variable, 13-25 minutes, 2015.
Kader Attia, Reason’s Oxymorons, 18 films and installation of cubicles, duration variable, 13-25 minutes, 2015.