Eamon Ore-Giron at James Cohan Gallery

Can a deity’s identity change over time?  Struck by Octavio Paz’s observation that interpretations of a sculpture of Coatlicue in Mexico City’s Museo Nacional de Antropologia have gone from “goddess to demon, demon to monster and from monster to masterpiece” in the centuries since Spanish conquest, Eamon Ore-Giron imagines contemporary identities for familiar divinities in new paintings, ceramics and textiles at James Cohan Gallery.  Here, in ‘Talking Shit with Mama Killa,’ Ore-Giron pictures the Incan moon goddess with her geometric fan-shaped crown creating angular and organic shapes that cover her upper head while the lower half of her face is transformed by triangular patterns and tear-like blue drops.  Characterized by angular features that appear to be morphing, this divinity’s identity is capable of shifting and updating by the moment.  (On view in Tribeca through Oct 21st).

Eamon Ore-Giron, Talking Shit with Mama Killa, mineral paint and flasche on canvas, 72 x 72 inches, 2023.