Ghada Amer at Marianne Boesky Gallery

“Do not fit into the glass slipper like Cinderella did, shatter the glass ceiling,” reads the text (quoting Indian actor Priyanka Chopra?) covering Ghada Amer’s portrait of her friend, Elizabeth.  Though Amer has changed her subjects from women in erotic magazines to friends, family and collaborators, she has not altered her habit of citing truisms from a feminist perspective.  Her latest Chelsea show – her first at Marianne Boesky Gallery – features texts intended to build up women and their capabilities.  (On view through Oct 23rd).

Ghada Amer, Portrait of Elizabeth, acrylic, embroidery, and gel medium on canvas, 2021.

Ghada Amer at Cheim and Read Gallery

Phrases like, ‘One is not born but rather becomes a woman,’ from feminist pioneer Simone de Beauvoir or actor Roseann Barr’s to-the-point observation that ‘Nobody gives you power you just take it,’ appear in Egyptian-born, Harlem-based artist Ghada Amer’s latest show at Chelsea’s Cheim and Read Gallery. Here, a bronze sculpture with text in Arabic extends the conversation to women in the Arab world. (Through May 10th).

Ghada Amer, foreground sculpture: The Words I Love the Most, bronze with black patina, 60 x 60 x 60 inches, 2012. Background painting on the right: The Big Black Bang – RFGA, acrylic, embroidery and gel medium on canvas, 102 x 132 inches, 2013.