Anselm Kiefer at Gagosian Gallery

The heart of Anselm Kiefer’s latest exhibition at Gagosian Gallery is a series of large-scale handmade books crafted from cardboard covered in plaster and painted with watercolor. Titled ‘Walpurgia,’ after an 8th century English nun, this lush, flesh-colored rendering of flowers echoes the erotic nature of the new paintings. Though the subject matter seems like a departure for Kiefer, it continues work begun in the 70s for which he merged the landscape and female bodies. (At Gagosian Gallery’s 21st Street location through July 14th).

Anselm Kiefer, Walpurgia, watercolor and pencil on plaster on cardboard, 14 pages (six double page spreads, front and back cover), 34 ¼ x 25 9/16 x 2 ¾ inches, 2013.

Ori Gersht at CRG Gallery

A landscape is never just a beautiful view in Ori Gersht’s photographs. A past series pictured tranquil scenes not far from a former concentration camp; the more recent ‘Floating World’ images – shot in Kyoto’s formal gardens – play up the multi-layered meanings of meticulously planned spaces like this one by combining reflected and inverted images. (At CRG Gallery on the Lower East Side through May 21st).

Ori Gersht, Floating Bridge, archival ink print, 47 ¾ x 47 ¾ inches, 2016.

Lucy Mackenzie at Nancy Hoffman Gallery

The color, transience and fragility of flowers inspires British painter Lucy Mackenzie; here, a drawing of late summer flowers in colored pencil on paper is a last hurrah for summer. (At Nancy Hoffman Gallery in Chelsea through May 2nd).

Lucy Mackenzie, September Flowers, colored pencil on paper, 4 ¾ x 4 ¾ inches, 2015.

Paula Hayes at Salon94 Bowery

Titled ‘Morning Glory,’ this installation of hand-cast acrylic light sculptures by visual artist and landscape designer Paula Hayes is devoid of actual plant life (vs the terrariums and gardens for which Hayes is known) but trapeze-like hangers cleverly suggest fast-growing vines. (At Salon94 Bowery through March 21st).

Paula Hayes, installation view of ‘Morning Glory,’ at Salon94 Bowery, Feb 2015.

Elger Esser at Sonnabend Gallery

Strikingly beautiful photos by Dusseldorf-based photographer Elger Esser of the Giardino di Ninfa, located south of Rome, mark a return for the artist to the south of Italy, where he grew up. Situated around the abandoned ancient city of Ninfa and enhanced with English landscape elements, the garden is the definition of enchanting. (In Chelsea at Sonnabend Gallery through April 26th).

Elger Esser, Ninfa – (Kallisto), Directprint, AluDibond, Shellac, 79 7/8 x 100 ¾ inches, 2013.