Emily Mae Smith at Petzel Gallery

Inspired by the manically busy brooms in Disney’s Fantasia, Emily Mae Smith’s recurring broom character is set apart – an individual posing with tense self-assurance in several of the artist’s new works now on view at Petzel Gallery.  Initially, Smith saw the brooms as representative of unrecognized female labor; separated from the pack, they become lone underdogs constructed from the discards of wheat production but forming identities of their own. This figure is host to two mice on her legs and birds and a squirrel on her head, offering sanctuary and even enduring abuse as part of her relationship to nature.  (On view through Nov 12th).

Emily Mae Smith, Habitat, oil on linen, 2022.

Dan Colen at Gagosian Gallery

Multi-media artist and media darling Dan Colen points to Disney films as a source for his latest, mostly abstract, paintings collectively called ‘Miracle.’ Here, ‘The Sorcerer’s Apprentice’ features an arc of sparkles painted in raw pigment and oil. Colen’s process-based style is so fashionable at the moment as to prompt the question of whether this piece demonstrates magic with painting or marketing. (At Gagosian Gallery through October 18th).

Dan Colen, The Sorcerer’s Apprentice, oil and raw pigment, 67 x 102 inches, 2013.