Seung-taek Lee at Canal Projects

Prominent Korean artist Seung-Taek Lee’s untitled stone and rope installation at Canal Projects occupies but does not dominate the center of the art institution’s large SoHo space.  Shaped by the cords that have bound it, each hanging stone represents time and human intervention in nature; hung by ropes that form lively V patterns, the arrangement is minimal but dynamic. Inspired by environmental movements of the 60s and 70s that emerged as South Korea transformed the basis of its economy from agriculture to industry, Lee has created performances with the wind and harnessed fire to creatively collaborate with nature.  The earth itself – in the form of a huge painted vinyl balloon resting on the gallery floor – has joined Lee on a bike ride through Beijing, appeared in various natural spots and on earth day this year will be used in a performance on Governors Island. (On view on Canal Street in SoHo through May 22nd).

Seung-Taek Lee, (foreground) Untitled, stone, rope, dimensions variable, 1982-2022. (background) Earth Play, oil on vinyl balloon, 21’ diameter, 1989-1996.

Alexis Rockman at Sperone Westwater

Inspired by a news story about a dolphin that swam into Brooklyn’s Gowanus Canal and died the same day from the pollution, New York artist Alexis Rockman conjured this vision of the canal as a cauldron of contamination in which the strong adapt to survive.  (At Sperone Westwater on the Lower East Side through Nov 2nd).  

Alexis Rockman, Gowanus, oil on wood, 2013.

Edward Burtynsky at Bryce Wolkowitz Gallery

From the largest pilgrimage towards water in the world (see the Kumbh Mela on left) to the petered out end of the rerouted Colorado River (next right) to the greening of the Arizona desert using pivot irrigation (next right), Canadian photographer Edward Burtynsky has spent the last few years documenting the human relationship to water around the world.  In turns alarming and alluring, the photos are a powerful catalyst for safeguarding one of our most precious resources.  (At Bryce Wolkowitz Gallery through Nov 2nd).  

Edward Burtynsky, installation view of ‘Water’ at Bryce Wolkowitz Gallery, Sept 2013.

Mark Dion at Tanya Bonakdar Gallery

Mark Dion’s vitrine-based sculptures often evoke the wonder of the 16th-18th century ‘Wunderkammer,’ or cabinet of curiosities.  In this sculpture, the centerpiece of his current show at Chelsea’s Tanya Bonakdar Gallery, the ‘wunder’ of this cast replica of a manatee skeleton is overshadowed by a polluted sea-bed of tar-covered consumer goods below. (Through April 13th).  

Mark Dion, Trichechus manatus latirostris, plastic skeleton, tar, found objects in steel and glass case, 2013.