Sarah Peters at Eleven Rivington

Saying her art practice is about ‘mistranslating the history of ancient objects,’ Brooklyn-based sculptor Sarah Peters ‘misinterprets’ Akkadian rulers, Greek busts and more with stunning results in several bronze heads at LES gallery Eleven Rivington. (Through May 17th).

Sarah Peters, Portrait of a Bearded Man with Triangular Base, bronze, 17.5 x 7 x 13 inches, 2015.

Valeska Soares at Eleven Rivington

A selection of 365 dust jackets mounted to linen supports by Brooklyn-based Brazilian artist Valeska Soares at Eleven Rivington muses on the passing of time. Not only do the titles refer to temporality, but dated fonts and designs act as a measure of change over a few decades. (On the Lower East Side through Nov 23rd).

Valeska Soares, installation view of ‘Any Moment Now,’ at Eleven Rivington, 195 Chrystie Street, November 2014.

Adam Shecter at Eleven Rivington

In a futuristic city inhabited by robots, stories of two dogs and a married couple loosely intertwine as one character tries to disentangle real from false memories. As could be expected, the protagonist never separates one from the other, but the process of watching is mesmerizing. (At Eleven Rivington’s 195 Chrystie Street location through October 5th).

Adam Shecter, installation view of ‘New Year’ at Eleven Rivington Gallery, September 2014.

Meyer Vaisman at Eleven Rivington

Though gestural strokes dominate new ‘paintings’ by Barcelona-based artist Meyer Vaisman, all have been created with inkjet on industrial plywood with stretcher bars made to look like the back of a canvas. Though the work is abstract, the imagery is based on Vaisman’s signature. (At Eleven Rivington on the Lower East Side through July 3rd).

Meyer Vaisman, Artist’s Signature: llehctiM naoJ, 5773, AFGA UVI ink on popular plywood, 2014.

Jackie Saccoccio at Eleven Rivington

Painter Jackie Saccoccio blurs the lines between abstraction and representation in huge new paintings that respond to well-known art historical portraits with complete abstraction. In the foreground, the sumptuous colors and extravagant patterns in Saccoccio’s piece parallel the decoration and costume of a well-to-do young woman in Domenico Ghirlandaio’s 1488 portrait of Giovanna Tornabuoni. (At Eleven Rivington through May 18th).

Jackie Saccoccio, Profile (GT Concave), oil and mica on linen, 106 x 79 inches, 2014.