While a single glove evokes Michael Jackson in the glitter of stage lights, this lone accessory – a stainless steel mesh glove encased in concrete – conveys something sinister. Semo’s other minimalist sculptures co-opt possible residue of violence, including chains, broken glass and shell casings as art materials, asking how fine art and conflict connect. (At Marlborough Gallery in Chelsea through Jan 14th).
Grids of black, hanging chains, squares of painted, cast concrete and slender brass poles leaning against the wall demonstrate New York artist Davina Semo’s affinity for both gritty and slick industrial materials. With titles suggesting interpersonal relationships (‘What is it one person can offer another’ hangs on the back wall in this picture), Davino creates an idiosyncratic style at once personal and distant. (At Chelsea’s Marlborough Gallery through Feb 15th).
Davina Semo, installation view of ‘Ruder Forms Survive,’ at Marlborough Gallery, January 2014.
Three panels of painted concrete covered in shattered safety glass by Davina Semo at Chelsea’s Derek Eller Gallery rest on the floor like they were just brought in from a war-zone. Minimalist stripes in safety orange appear to have suffered heavy attack but survive to bear witness. Together they’re titled, ‘You said we’re skipping the prelude: start the insults.” (Though August 16th).
