Njideka Akunyili Crosby in ‘Side by Side’

Known for portrait-like works created with a range of materials and techniques from paint to photo transfer (like the image pictured here from a ’19 exhibition at David Zwirner Gallery), Njideka Akunyili Crosby recently simplified her procedure in paintings presented at last summer’s Venice Biennial.  Two of these are highlights of ‘Side By Side,’ a new on-line collaboration between David Zwirner Gallery and Victoria Miro Gallery for which the two galleries are presenting works via 3-D renderings by VortecXR.  Specifically addressing how to see artwork without being present in front of it, Side By Side showcases technology as much as the art, both of which are worth a look.

Njideka Akunyili Crosby, Nyado: The Thing Around Her Neck, acrylic, photographic transfers, color pencil, charcoal and collage on paper, 81 ½ x 81 ¾ inches, 2011.

Anni Albers at David Zwirner Gallery

Commissioned for the art-filled Camino Real Hotel in Palanco, Mexico, this vibrant felt hanging by Anni Albers epitomizes the energy expressed by her repeated use of triangles in asymmetrical compositions.  Recently rediscovered, it’s a standout in a collaborative exhibition with the Josef and Anni Albers Foundation and David Zwirner Gallery, a show that asserts Albers’ importance not just to 20th century weaving and textile-based work but to experimentation within the modernist idiom.  (On view in Chelsea through Oct 19th).

Anni Albers, Camino Real, felt, 116 x 105 ¾ inches, 1968.

Yayoi Kusama at David Zwirner Gallery

As lines to visit Yayoi Kusama’s infinity rooms at David Zwirner Gallery stretch around the block, the octogenarian art star’s paintings and flower sculptures are ready to wow the eye without the wait. Both engulf the senses with exuberantly patterned, wildly colorful design. (On view through Dec 16th at David Zwirner Gallery’s 533 West 19th Street location.)

Yayoi Kusama, Installation view of ‘Festival of Life,’ David Zwirner Gallery, 533 West 19th Street, November 2017.

Carol Bove at David Zwirner Gallery

Scrap metal, vividly colored steel tubing and shiny, black cylindrical disks compete for attention in Carol Bove’s ‘Polka Dots,’ now on view at Chelsea’s David Zwirner Gallery. Here, the show’s titular sculpture brings to mind the powerful forces required to bend steel while reveling in a burst of yellow and the smooth perfection of black ‘polka dots.’  (On view through Dec 17th).

Carol Bove, Polka Dots, found steel, stainless steel, and urethane paint, 91 x 81 x 87 inches, 2016.
Carol Bove, Polka Dots, found steel, stainless steel, and urethane paint, 91 x 81 x 87 inches, 2016.

 

William Eggleston at David Zwirner Gallery

It’s easy to recognize this scene by legendary photographer William Eggleston, without even knowing where it was shot. Typically Eggleston, its bright, saturated colors and subject matter featuring an everyday American landscape and vernacular architecture are deeply familiar. (At David Zwirner Gallery in Chelsea through Dec 17th).

William Eggleston, Untitled, pigment print, 64 7/8 x 45 x 2 ¼ inches, c. 1983-1986.
William Eggleston, Untitled, pigment print, 64 7/8 x 45 x 2 ¼ inches, c. 1983-1986.