Sara Abbaspour in ‘Transcript’ at Yancey Richardson Gallery

Intimacy between people, whether between figures seen in quiet moments in public or this energetic engagement between a toddler and adult in a domestic setting, drives Sara Abbaspour’s probing, black and white photos.  A standout in Yancey Richardson Gallery’s show of 2019 Yale MFA Photography grads, curated by James Welling, Abbaspour explains that her aim is to treat physical locations as ‘mental space.’  (On view in Chelsea through August 23rd).

Sara Abbaspour, Untitled, archival pigment print, 26 5/8 x 35 1/8 inches, 2019.

Laurel Sparks at Cheim & Read Gallery

‘Geomantria,’ the title of Lauren Sparks’ show last spring Kate Werble Gallery succinctly introduces the concept of geometry as magic in the Brooklyn painter’s canvases.  In this grid of nine works – part of a three-person group exhibition of abstract painting at Chelsea’s Cheim & Read Gallery, curated by Jack Pierson – Sparks plots out six points with relationships that shift according to the ash, papier mache, glitter, yarn and other materials she applies to woven strips of canvas.  (On view through August 30th).

Laurel Sparks, paintings from ‘STANZA’ and ‘TERCET.’ Materials include: acrylic, poured gesso, paper mache, ash, cut holes, collage, glitter and yarn on woven canvas strips, each 24 x 24 inches, 2018.