After visiting a chilling display of human bones at a cloister in Rome, Viennese artist Erwin Wurm adapted his signature ‘One Minute Sculptures’ (for which individuals pose with everyday objects in creative ways) into ‘One Minute Forever’ memento mori with a humorous twist. (At Chelsea’s Lehmann Maupin Gallery through April 19th).
Erwin Wurm, One Minute Forever (Bucket), epoxy resin, polyurethane, wood, metal, buckets, unique, 2013.
Titled ‘(In)Security,’ this detail-view of an enticing if creepy new painting by New York artist Ross Bleckner offers the unnerving suggestion that we’re being watched, albeit by a range of characterful eyes. (At Mary Boone Gallery in Chelsea through April 26th).
Ross Bleckner, “(In)Security,” 27 x 144 inches, oil/linen, 2013-14.
New York artist Jeff Elrod devises his images on a computer, then renders them by hand on canvas, bridging the gap between artist and machine in the digital age. (At Chelsea’s numberswiki.com
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Jeff Elrod, Untitled, UV ink on Fisher canvas, 118 ¼ x 84 inches, 2014.
San Francisco-based artist Jim Campbell works with sophisticated technology to make low-res images that offer a fragment of the information we’re used to in the HD age; yet images like this one of a yellow cab whizzing by hold viewers’ attention by capturing the recognizable action of the street. (At Bryce Wolkowitz Gallery through April 19th. Also at the Museum of the Moving Image in Long Island City through June 15th.)
Jim Campbell, Untitled (Commuters), LEDs, metal, wire, custom electronics, 43 x 63 x 18 ½ inches, 2014.
A giant hare, titled after the constellation Lepus, sits tethered to a mobile suspending what appear as fragments of patterned cloth colored shades of night-blue in a new work by Anne Chu at Tracy Williams, Ltd in Chelsea. Skinned and with fur, alert yet stationary, the hare seems as momentarily suspended between states as the mobile. (Through April 19th).
Anne Chu, Lepus, leather, metal, ceramic, 2014.
