Keith Tyson at Hauser & Wirth Gallery

To say that British artist Keith Tyson’s art practice is expansive is something of an understatement; for decades, his painting and sculpture have aimed to show the connectedness of all things.  Drawing from thousands of paintings created over more than twenty years, grids of images now on view at Hauser & Wirth Gallery in Chelsea suggest links between neural networks, the vastness and changeability of space, mathematical concepts and much more.  Here, meteorites embedded in stainless steel prompted Tyson’s mind-boggling question in a recent catalogue essay: “What were the odds at some point in the distant past, when these chunks of matter were on their particular trajectories through outer space, that they would all end up together here in this piece of work?”  (On view in Chelsea through April 2nd).

Field of Heaven, stainless steel, meteorites, 23 5/8 x 23 5/8 x 23 5/8 inches, 2016.

Sam Gilliam in ‘Beyond the Spectrum: Abstraction in African-American Art, 1950-1975’ at Michael Rosenfeld Gallery

Color Field painter Sam Gilliam’s unstretched canvas from 1970 is a standout in Michael Rosenfeld Gallery’s current exhibition ‘Beyond the Spectrum: Abstraction in African American Art, 1950-1975’ for taking the space of a painting into the space of the gallery. Like a huge paint rag or a giant apron, this piece from 1970 evokes an object with use-value, hung momentarily on the wall. (In Chelsea through March 8th).

Sam Gilliam, One Thunder, acrylic on unstretched canvas, 70 x 23 x 11 inches, 1970.

Allison Schulnik at ZieherSmith

‘Eager,’ Allison Schulnik’s new stop-motion animation starts with restrained dancing figures and quickly ups the pace as nature itself joins in the dance with flowers bursting forth in bloom and swaying with exuberant fecundity.  (At Chelsea’s ZieherSmith through Feb 22nd.)   

Allison Schulnik, still from ‘Eager,’ clay-animated, stop-motion video, 8 min, 30 sec, ed of 5, 2014.

Lynda Benglis at Cheim and Read Gallery

Iconic Process artist Lynda Benglis excites the senses with a new selection of ceramic sculptures hand formed from tubes and slabs of clay.  (At Chelsea’s Cheim & Read through Feb 15th).  

Lynda Benglis, Untitled, glazed ceramic, 20 x 16, 12 inches, 2013.

Lara Schnitger at Anton Kern Gallery

Known for fabric sculptures like those pictured here, LA-based artist Lara Schnitger is now allowing fans a more intimate appreciation of her work with a couture line – Sister of Arp.  The clothes will, she says, “play with themes of motherhood, feminism, fashion and sculpture.”  (At Anton Kern Gallery, Chelsea, through Feb 15th.)  

Lara Schnitzer, installation view of ‘Sister of Arp’ couture clothing at Anton Kern Gallery, January 2014.