‘60s performance art gets a radical update in LA-based artist Channing Hansen’s algorithm-derived hand-knit constructions at Susan Inglett Gallery. Conceived of as instructions or ‘scores,’ each artwork in his latest solo show is a kind of event; the 2-D pieces are shaped by an algorithm trained to produce ‘Channing Hansen artworks,’ based on the characteristics of his previous work. (On view in Chelsea through Oct 16th. Masks required).
Channing Hansen, Tangible Engine, California Variegated Mutant (Myth), California Variegated Mutant (Rhea), California Variegated Mutant (Sriracha), California Variegated Mutant (Talia), Jersey Wooly (Miss Maple), Romeldale (January), Romeldale (Qassiopeia), Romedale (Saffron), Romedale (Shelby), and Teeswater (F2019-0339) fibers; Tussah silk, and Mulberry silk; holographic polymers, and photo-luminescent recycled polyester fibers; Ingeo corn, and pineapple fibers; Sequoioideae Redwood, 50 x 45 in., 2020.
Using fiber from sheep selectively bred to increase genetic diversity, Channing Hansen creates abstract knit works that derive their patterns from an algorithm that makes use of his own DNA. Complicated back story aside, the artworks entice by evoking the body and the landscapes in vivid color and a wealth of texture. (At CRG Gallery on the Lower East Side through Feb 25th).
Channing Hansen, RFLP:6:29840382:CT, Bluefaced Leicester, California Variegated Mutant (Latham), California Variegated Mutant (Myth), Cashmere, Corriedale, hybrid California Variegated Mutant/Rambou/Cotswold/Border Leicester (Cessna), hybrid Cotswold/Border/Leicester/California Variegated Mu, 54 ¼ x 55 ¼ x 1 ¼ inches, 2016.
