Chelsea Seltzer & Theo Rosenblum in ‘Alive with Pleasure’ at Asya Geisberg Gallery

Chelsea Seltzer & Theo Rosenblum reduce a kid’s party to essentials – cake and pizza – then bring the refreshments to life in this wonderfully absurd sculpture at Asya Geisberg Gallery.  Both delicious and disgusting, funny and disturbing, innocent and sinister, Seltzer and Rosenblum’s character pushes all kinds of buttons.  (On view in ‘Alive with Pleasure’ at Asya Geisberg Gallery in Chelsea through Aug 3rd).

Chelsea Seltzer & Theo Rosenblum, Pizza Cake, wood, foam, epoxy clay, plastic and acrylic paint, 18h x 12w x 10d inches, 2018.

Will Cotton in ‘Paper/Print’ at the International Print Center

Will Cotton’s paintings of models and confectionery merge erotic desire and the temptation of sweets; here, sugar wins out as a tower of cake takes center stage at the International Print Center in Chelsea.  If this looks like a sculpture that won’t age well, don’t be fooled; this indulgent stack of goodies is made of handmade paper – a standout in the Print Center’s show of American hand paper-making since the 60s.

Will Cotton, The Pleasure Principle 2, cast pigmented handmade paper, published by Pace Editions, Inc, papermakers: Ruth Lingen, Akemi Martin and Emily Chaplain, 2014.

Peter Anton at Unix Gallery

A cherry pie, a smashed chocolate bunny and this giant piece of cake by Peter Anton are highlights of an asylum for sweet-lovers created by the artist in Chelsea’s Unix Gallery. A response to the idea that the American addiction to sugar borders on the insane, Anton’s super-sized sculptures push the idea to extremes, prompting visceral reactions so much sweetness. (On view through June 17th).

Peter Anton, (detail of) Sugar Madness – Pink Confetti Cake, mixed media, 74 x 50 x 12 inches, 2017.