Han Qin in ‘Blue’ at the Nassau County Museum of Art

Created in Hangzhou, China last summer and now on display just outside of New York City at the Nassau County Museum of Art’s ‘Blue’ exhibition, Han Qin’s ‘The Direction of Migration’ was inspired by the artist’s own journeys between China and Long Island.  Using a cyanotype process that involves exposing treated paper to sunlight, Han Qin – a professional dancer who choreographed a dance to accompany this work – arranged emigrant friends in dance poses on the paper.  Ethereal and suggesting natural upward movement, the piece pictures hopeful journeys.  (On view through Nov 1st.  Tickets must be purchased in advance).

Han Qin, The Direction of Migration (Diptych), cyanotype on paper, 3307 x 94.5 cm, 2019.

Diedrick Brackens in ‘Los Angeles Bound’ at Thomas Erben Gallery

Maybe it’s the descending pattern of dots or the black rainbow shape in Diedrick Brackens’ tapestry but the text, ‘everything is lovely now’ isn’t quite believable. Instead, this shaggy banner seems to announce a still transitory state. (At Thomas Erben Gallery in Chelsea through Feb 18th).

Diedrick Brackens, get in where you fit in, woven cotton and polyester yarn, 71 x 67 inches, 2016.
Diedrick Brackens, get in where you fit in, woven cotton and polyester yarn, 71 x 67 inches, 2016.

KRIWET in ‘All Watched Over’ at James Cohan Gallery

In colors that suggest political banners, Dusseldorf-based artist KRIWET created this bold ‘comic strip’ in 1970, using letters to create mental pictures. It is part of the group exhibition ‘All Watched Over’ at Chelsea’s James Cohan Gallery, which muses on the power of futuristic technology to improve life. (Through Aug 7th)

KRIWET, Comicstrip, 1970.