Jeff Koons at the Whitney Museum

Jeff Koons’ name is synonymous with high production values and what the New York Times called ‘art for billionaires and oligarchs.’ Despite the exclusivity, most Koons works are designed to appeal, from the flowering sculpture currently installed at Rockefeller Center to this stainless steel heart and aluminum Playdoh pile at the Whitney Museum where the artist is currently enjoying a career retrospective. (Through October 19th).

Jeff Koons, Hanging Heart (Violet/Gold), 1994-2006, mirror-polished stainless steel with transparent color coating.

Bill Cunningham’s ‘Facades’ at the New York Historical Society

For eight years in the 60s and 70s, iconic New York photographer Bill Cunningham took pictures his friend, neighbor and celebrity portrait photographer Editta Sherman in period clothes in front of famous New York City landmarks. Here, in one of the earliest images in his ‘Facades’ project, Sherman poses in front of St Paul’s Chapel in late 17th century clothes purchased in a second hand store for just a few dollars. (At the New York Historical Society (show extended).

Bill Cunningham, St Paul’s Chapel and Churchyard, (built ca 1766-1796, Broadway at Vesey Street), from the Façade series, 1968.

Caroline Woolard and Lika Volkova in ‘NYC Makers’ at the Museum of Art & Design

One hundred artists on two museum floors make the Museum of Art and Design’s ‘NYC Makers’ one of the busiest in town with lots to discover and explore. For these garments, conceptual artist Caroline Woolard and designer Lika Volkova recycled unwanted paintings by various artists into chic, mobile canvases. (Through October 12th).

Tim Freccia at Ricco Maresca

Printed in life size and confronting viewers head-on, these arresting photos of South Sudan’s White Army show unique individuals who are nevertheless unknown. Taken by photojournalist Tim Freccia this year, they depict members of the Nuer ethnic group who are battling the nation’s other dominant group, the Dinka. (At Chelsea’s Ricco Maresca through September 13th.)

Tim Freccia, three type C-print surface mounted images, each titled ‘White Army,’ 84 x 42 inches, 2014.

Zhang Dali at Klein Sun Gallery

Ghostly white fiberglass figures representing migrant workers in Tiananmen Square make roosts for flapping doves in Beijing artist Zhang Dali’s exhibition at Chelsea’s KleinSun Gallery. Despite the dove as symbol of hope, the figures are washed of color and identity, bespeaking drab anonymity. (Through August 30th).

Zhang Dali, installation view of ‘Square’ at Klein Sun Gallery, June, 2014. Fiberglass and baking varnish.