Lara Schnitger at Anton Kern Gallery

Known for fabric sculptures like those pictured here, LA-based artist Lara Schnitger is now allowing fans a more intimate appreciation of her work with a couture line – Sister of Arp.  The clothes will, she says, “play with themes of motherhood, feminism, fashion and sculpture.”  (At Anton Kern Gallery, Chelsea, through Feb 15th.)  

Lara Schnitzer, installation view of ‘Sister of Arp’ couture clothing at Anton Kern Gallery, January 2014.

Marepe at Anton Kern Gallery

Brazilian artist Marepe continues to use everyday materials, simply transformed to achieve big effects.  In his latest solo show at Chelsea’s Anton Kern Gallery, he transforms two bikes into a stationary creature with human head and fish-like tail, a hybrid that suggests literal and figurative possibilities for forward movement.  (Through Dec 14th).  

Marepe, Cabeca Ciclica, bicycles and wood, 2012.

Jonas Wood at Anton Kern Gallery

LA-based artist Jonas Wood builds his paintings from photos, sourcing them in the digital.  At the same time, his memories supply more details as in this painting of his father’s house in Boston in which the bird and flower paintings are depicted as Wood remembered them from childhood rather than how they actually are.  (At Chelesa’s Anton Kern Gallery through Oct 19th).  

Jonas Wood, Yellow Front Hall, oil and acrylic on canvas, 2013.

Francis Upritchard at Anton Kern Gallery

Francis Upritchard’s medieval-looking characters ride, run, lunge and more as they engage in slightly ludicrous one-sided combat.  Their expressions read as aloof, nauseous or perhaps both, which seems fitting for such convincingly-executed weedy warriors. (At Chelsea’s Anton Kern Gallery through August 9th)  

Francis Upritchard, installation view at Anton Kern Gallery featuring ‘Rider,’ modeling material, wire, fabric, leather and shell buttons, 2012.

Richard Hughes at Anton Kern Gallery

In his latest New York solo show, British artist Richard Hughes turns drabness into whimsy by appearing to transform light posts into a pair of jauntily high-stepping legs.  They’re actually meticulously created to look like the real thing, but that fact’s almost irrelevant to their enjoyment. (At Chelsea’s Anton Kern Gallery through May 18th).  

Richard Hughes, Pedestrian (Hot Ste P), architectural grey board, fiberglass, stone resin, steel and paint, 2013.