Graham Anderson at Klaus von Nichtssagend Gallery

Like an orderly stack of oranges in the supermarket, Graham Anderson’s new paintings at Klaus von Nichtssagend Gallery in Tribeca are both organic and curving, arranged with rigid geometry, just one contrast of many that generates visual interest and tempts exploration.  Some paintings feature a sheet of orange spheres – so orderly they appear stamped out – alongside circular forms with green leaves and shading that suggests natural citrus fruits.  Most contain areas of pointillist painting in orange, blue and white color that contrasts flat monochrome orange spheres with no shading.  In this painting, that dotted surface breaks up to reveal a background devoid of natural referents.  Christmas ornaments, planets, fruit, punctuation, billiard balls and more come to mind in a strange space ripe for invention.  (On view through July 29th).

Graham Anderson, Reflected Fortune, oil and acrylic on canvas, 26 x 18 ½ inches, 2023.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)

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