Dieter Roth in ‘The Nature of Disappearance’ at Marianne Boesky Gallery

Dieter Roth, Lauf der Welt (The Way the World Runs), 1970, chocolate, aluminum foil, folding carton board in plastic bag.
Dieter Roth, Lauf der Welt (The Way the World Runs), 1970, chocolate, aluminum foil, folding carton board in plastic bag.

Nobody outdoes iconic German artist Dieter Roth for the aesthetic possibilities he derived from rotting food, from oil-extruding sausage to pressed bananas.  It makes his work a shoe-in for ‘The Nature of Disappearance’ at both of Marianne Boesky’s galleries, a group show focusing on “…the intentionally initiated process of decay.” ‘Lauf der Welt’ (The Way the World Runs), 1970 (seen here in detail) is one of three Roth pieces included and features a smashed chocolate Santa and Easter Bunny.  Though he does it by crushing the gaiety from children’s treats, Roth easily lays low the commercialism of the holidays by displaying a graphic version of their aftermath.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)