Meg Cranston: Magical Death, at Leo Koenig, Inc.

For ‘Flash Art’ Magazine

Meg Cranston, Magical Death, 2002. Papier mache with colored tissue, pastel, 188 x 50 x 41 cm
Meg Cranston, Magical Death, 2002. Papier mache with colored tissue, pastel, 188 x 50 x 41 cm

As if posing for a magazine spread, five models in colorful fashions lounged and strutted around the gallery. After spotting the woman in the multicolored, ruffled jumpsuit with hood, it became apparently that the fashionistas were pinatas, all sporting Meg Cranston’s angular hairstyle. Cast from her own body and made to order in Mexico, these oversized party favors explored a new means of merging fashion and art. Or so it would seem without reading the press release, which not only detailed the origins of the pinata but dipped into documentary film production in South America to explain the show’s title. To make two long stories short, ‘Magical Death’ is a film made in 1973 about the Yanomamo people, who symbolically kill their enemies, and the pinata originated in China as a form of offering in planting season. It’s not clear what the pinata and film have to do with one another apart from the fact that they both involve exporting and altering foreign customs. It’s also a stretch to see how they relate to the sculpture at hand, other than to suppose that Cranston is playing a role in which she sacrifices herself to bring blessing to the ones who symbolically destroy her. Either way, the pinatas are fun to look at, particularly one in a headdress who dangled a tiny football player in her hand, but the concept is more weird than compelling.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)