Vija Celmins at Matthew Marks Gallery

Titled ‘Winter,’ Viya Celmins first New York solo show in six years at Matthew Marks Gallery sees out the season with paintings featuring snow against dark backgrounds.  Those familiar with the artist’s signature subject matter may identify the work as a night sky painting for which she is renowned, but what look like stars are in fact flakes of snow.  Celmins has explained in an interview that she aims to wrestle something vast down into the space of the canvas, fixing it there.  The new snow-related paintings suggest she’s taken the universe and transposed it into something positioned right before our eyes.  In a further twist, the piece’s title, ‘Snowfall(coat)’ reveals that the snow is not actually seen in front of the darkness of night but has been pictured instead on a black coat. (On view in Chelsea through April 6th).

Vija Celmins, Snowfall (coat), oil on canvas, 19 5/8 x 13 1/8 inches, 2021 – 23.

Vija Celmins at Matthew Marks Gallery

Vija Celmins’ once described her relationship to the ocean, which she has rendered again and again in paint, graphite and prints, as akin to wrestling something huge into a tiny 2-D space.  This woodcut from 2000, created with one of printmaking’s oldest techniques, captures a particular view of the water’s surface that looks as if it could have been made yesterday or hundreds of years ago.  (On view in Chelsea at Matthew Marks Gallery through Oct 26th).

Vija Celmins, Ocean, wood engraving on Zerkall paper, 20 ¾ x 17 ¼ inches, 2000.

Vija Celmins at Matthew Marks Gallery

One stone is real, the other is a replica. Vija Celmins entices viewers to ponder which one came from the earth and which from the artist’s hand in this pairing at Matthew Marks Gallery’s 22nd Street space in Chelsea. In other works, Celmins turns her hand to the skies and the seas with meticulous realist paintings that celebrate the creative powers of the artist. (On view through April 15th).

Vija Celmins, Two Stones, one found stone and one made stone: bronze and alkyd oil, 2 ¼ x 8 x 5 ½ inches, 1977/2014-16.