Sylvie Fleury at Salon94 Bowery

“Unfettered, confident, individual…” – these adjectives don’t describe art or an artist, they’re part of Dior’s marketing for its ‘Precious Rocks’ eye shadow compact, remade into a series of large-sized acrylic paintings by Swiss artist Sylvie Fleury. Long a provocateur who questions fashion, consumption and ‘high’ art, Fleury’s latest series may be modeled on makeup, but it makes an unmissable nod to mid-20th century hard-edge abstraction. (On view on the Lower East Side at Salon94 Bowery through Dec 22nd).

Sylvie Fleury, Precious Rocks, acrylic on canvas on wood, 45.625 x 54.75 x 3 inches, 2017.

‘Shrines to Speed’ at Leila Heller Gallery

As summer travel season rolls around, ‘Shrines to Speed’ at Chelsea’s Leila Heller Gallery acts as something of a cautionary tale. Sylvie Fleury’s smashed and sliced car – covered in nail polish – rests near an ominous pair of van doors by Richard Prince and a crushed Fiat 500 by Ron Arad. All are enticing objects but each undermines the glamor of car culture. (In Chelsea through July 9th).

Sylvie Fleury, Skin Crime 6, crashed car, enamel, 31 x 29 x 141 inches, 1997 in foreground of installation view of ‘Shrines to Speed’ at Leila Heller Gallery, June 2016.
Sylvie Fleury, Skin Crime 6, crashed car, enamel, 31 x 29 x 141 inches, 1997 in foreground of installation view of ‘Shrines to Speed’ at Leila Heller Gallery, June 2016.

Sylvie Fleury at Salon 94 Bowery

Sylvie Fleury’s 1998 video ‘Walking on Carl Andre,’ features women’s feet as they pose on ‘60s Minimalist icon Carl Andre’s signature metal floor plate sculptures.  In this updated version, she allows visitors to try on a pair of heels and strut their stuff on an Andre replica in a feminizing collaboration that turns his masculine, industrial art product into a catwalk. (At Salon 94 Bowery through April 27th.)  

Sylvie Fleury, installation view of ‘It Might as Well Rain Until September,’ at Salon 94 Bowery, March 2013.