Jorge Pardo at Petzel Gallery

Known for combining art, architecture and design, Jorge Pardo takes a turn towards two-dimensional work at Petzel Gallery with laser cut light boxes bearing his self-portraits. This surprising turn away from 3-D objects and spaces, along with Pardo’s recent self-portraits crafted on furniture, begs the question of whether all of the artist’s design isn’t a form of portraiture. (On view at Petzel Gallery through Jan 13th).

Jorge Pardo, Untitled, MDF-Acrylic Paint-Caoba-LED Fixtures, 63 x 47 inches, 2017.

Jim Campbell at Bryce Wolkowitz Gallery

New media artist Jim Campbell is known for deliberately low-res projections of crowds and individuals in movement. The focus of his current solo show at Bryce Wolkowitz Gallery – images and video from January’s Women’s March in DC – is serendipitous subject matter for the artist. In this layering of still images on a lightbox, many people (and metaphorically, points of view) come together to suggest a mass action. (At Bryce Wolkowitz Gallery in Chelsea through June 17th).

Jim Campbell, Untitled, c-print, Plexiglas, light box, 32 x 48 x 5 inches, 2017.

Kota Ezawa at Murray Guy Gallery

Kota Ezawa’s signature simplified, graphic images are well suited to his current body of work – lightboxes that replicate thirteen artworks stolen from the Isabella Stewart Gardner Museum in Boston in 1990. Contrary to the carefully executed detail in the original painting depicted here by Johannes Vermeer, Ezawa’s more generalized rendering suggests the omissions of memory. (At Chelsea’s Murray Guy Gallery through Dec 19th).

 Kota Ezawa, The Concert, LED lightbox, 28 x 25 inches, 2015.

Airan Kang at Bryce Wolkowitz Gallery

Some books electrify the reader, some illuminate our understanding; few do so as literally as in South Korean artist Airan Kang’s glowing volumes now on show at Bryce Wolkowitz Gallery in Chelsea. (Through June 13th).

Airan Kang, installation view of ‘The Luminous Poem,’ May 2015.