Judith Henry at Bravin Lee

Titled ‘Casting Call,’ Judith Henry’s installation of 300 small abstract sculptures look like mini-cobbled together robots or tools. Featuring eyes or resembling cameras, some meet our gaze; others appear to be small totems, like the figure at front here, resembling Shiva surrounded by a ring of fire. (On view at Bravin Lee in Chelsea through Feb 17th).

Judith Henry, installation view at Bravin Lee Gallery, Chelsea, January, 2018.

Serge Alain Nitegeka at Marianne Boeksy Gallery

Obstacle courses constructed from lengths of black wood are a recurring part of Johannesburg-based artist Serge Alain Nitegeka’s practice, forcing gallery visitors to reconsider their environment while ducking and bending through the gallery. Having lived and moved often as a refugee during his childhood, Nitegeka connects his own political experience with the gallery visitor’s spatial experience. (On view at Marianne Boesky Gallery in Chelsea through Feb 24th).

Serge Alain Nitegeka, installation view at Marianne Boesky Gallery, January, 2018.

Valeska Soares at Alexander Gray Associates

Five mirror-topped antique wooden tables support a host of antique glassware, installed by Valeska Soares at Alexander Gray Associates in Chelsea. Filled with spirits, and looking like the tidily assembled remnants of an epic celebration, the piece emanates a sickly smell that strongly suggests the party is over. (On view through Dec 16th).

Valeska Soares, Epilogue, mixed media, 47h x 459w x 47.75d inches, 2017.

Mounir Fatmi at Jane Lombard Gallery

Moroccan-born artist Mounir Fatmi’s installation ‘Inside the Fire Circle’ offers the idea of literally jump starting conversation via his arrangement of jumper cables, typewriters and paper on which the public is invited to contribute thoughts. The centerpiece of a show that considers the limits of freedom, the installation suggests that self-expression can be risky. (On view at Jane Lombard Gallery through Oct 21st).

Mounir Fatmi, installation view of ‘Survival Signs’ at Jane Lombard Gallery, Sept 2017.

Li Jingxiong in ‘Referencing Alexander Calder’ at Klein Sun Gallery

In a show dedicated to the legacy of Alexander Calder, Li Jingxiong’s snake skin footballs are a standout. Hung like buoys or a flattened Calder mobile, the balls marry beauty, with their craftsmanship, and danger, with their material. (At Klein Sun Gallery in Chelsea through Oct 7th).

Li Jingxiong, EGOBY, plastic mould and snake skins, 11 3/8 x 6 ¼ inches, 2014-16.