Christian Marclay at Paula Cooper Gallery

Though it looks like a memorial to the landline, Christian Marclay’s ‘Boneyard,’ now on view at Paula Cooper Gallery, is from 1990, part of a selection of past work by the artist addressing one of his signature themes. (On view in Chelsea through Oct 7th).

Christian Marclay, Boneyard, hydrostone casts of telephone receivers, in 750 parts, dimensions variable, 1990.


Lin Tianmiao at Galerie Lelong

Like fuzzy slippers or stuffed animals, Beijing-based artist Lin Tianmiao’s woven wool forms look comfortable and harmless. On closer inspection, this room-sized installation of text on carpets in English and Chinese at Galerie Lelong represents a collection of words used to describe women, from the derogatory to the empowering. Titled ‘Protruding Patterns,’ the piece encourages visitors to walk among ideas that have manifested as form. (On view through Oct 21st in Chelsea)

Lin Tianmiao, installation view of ‘Protruding Patterns’ at Galerie Lelong in Chelsea, Sept 2017.

Maya Lin at Pace Gallery

As the Zambezi River spills out across the landscape on the border of Zimbabwe and Zambia at Victoria Falls, so spreads a glass-marble replica by Maya Lin across the walls, floor and ceiling of Pace Gallery. Reflections of light through the glass give the ‘water’ a sparkling quality that argues for the preciousness of one of earth’s most value resources. (On view on 25th Street in Chelsea through Oct 7th).

Maya Lin, From One into Many and Back Into One, glass marbles and adhesive, 13’ x 28’ x 1,” 2017.

Polly Apfelbaum at Alexander Gray Associates

Best known for ‘paintings’ composed of hundreds of cut pieces of colorful cloth arranged on the floor, Polly Apfelbaum has expanded to the walls with colorful, abstract ceramic panels that complement carpets bearing a graphic from a 1963 book titled ‘The Potential of Woman.’ Though the female heads on the floor have no mouth (having been spoken for in the book), the riotously colorful wall-mounted ceramic sculptures – which Apfelbaum explains are like portraits – have plenty to say. (At Alexander Gray Associates in Chelsea through Oct 21st).

Polly Apfelbaum, installation view of ‘The Potential of Women,’ at Alexander Gray Associates, Sept 2017.

Sheila Hicks on the High Line

Known for sometimes-monumental installations of fiber art, Paris-based American artist Sheila Hicks has transformed the wilder northern reaches of the High Line with an ambitious, twisting arrangement of fabric-covered tubes. Primary colors and cable-like forms complement the construction-site aesthetic of the neighborhood as the development of Hudson Yards continues apace.

Sheila Hicks, Hop, Skip, Jump and Fly: Escape from Gravity, installation view on the High Line, July 2017.