Nathalie Boutte at Yossi Milo Gallery

French artist Nathalie Boutte captures the allure of the unknown past in her collage recreations of 19th century daguerreotypes and historical photos. Here, Boutte remakes Seydou Keita’s well-known 1958 portrait of a hip young Malian man using strips of paper covered with varying amounts of text. The effect (seen here in detail) is to blur Keita’s sharply clear image, suggesting that the passage of time diminishes the potential to see the subject clearly. (At Yossi Milo Gallery in Chelsea through Oct 21st).

Nathalie Boutte, (detail of) Jeune homme a la fleur rouge, collage of Japanese paper, ink, 29 3/8 x 18 inches, unique, 2016.

Ji Zhou at Klein Sun Gallery

In his photo collages of cityscapes, shot at different times of day from the same vantage point, Bejing-based artist Ji Zhou creates a harmonious view from fragments. (At Klein Sun Gallery in Chelsea through August 3rd).

Ji Zhou, (detail of) Building 2, archival pigment print, 47 ¼ x 92 1/8 inches, 2017.

Maria Berrio in ‘All That Glitters’ at Rachel Uffner Gallery

Like a group of goddesses on Mount Olympus, Maria Berrio’s trio of milky-skinned mothers and their infants appear to lounge above the mortal realm in this collage by the New York-based Columbian artist. Accompanied by a menagerie of animals and framed by the constellations, Berrio exaults the mothers’ nurturing role. (On view on the Lower East Side in ‘All That Glitters’ at Rachel Uffner Gallery through August 2nd).

Maria Berrio, Nativity, Japanese paper on canvas, 48 x 60 inches, 2014.

Eva Lake at Frosch & Portmann

Eva Lake’s small collages at Lower East Side gallery Frosh & Portman elegantly remix Egyptian and 20th century fashions in a strangely congruous merger of the ancient and modern. (On view through July 16th).

Eva Lake, My Egypt, no 22, collage 13.25 x 9.5 inches, 2017.

Jim Campbell at Bryce Wolkowitz Gallery

New media artist Jim Campbell is known for deliberately low-res projections of crowds and individuals in movement. The focus of his current solo show at Bryce Wolkowitz Gallery – images and video from January’s Women’s March in DC – is serendipitous subject matter for the artist. In this layering of still images on a lightbox, many people (and metaphorically, points of view) come together to suggest a mass action. (At Bryce Wolkowitz Gallery in Chelsea through June 17th).

Jim Campbell, Untitled, c-print, Plexiglas, light box, 32 x 48 x 5 inches, 2017.