Jannis Kounellis at Gladstone Gallery

Describing himself as a ‘Greek man and an Italian artist,’ the late Jannis Kounellis was a founder of Arte Povera, a movement that emerged from the desire of post-war Italian artists to embrace materials more linked to everyday life than to fine art.  In this piece from 2016, Kounellis sourced outdoor sheds, placing them on beds of coals arranged in a grid around Gladstone Gallery’s spacious 21st Street location.  Iron panels line the walls, holding a rope and bent pieces of metal that resemble an alphabet.  Though not meant to be interpreted literally, Kounellis’ materials are evocative – coal suggesting fire and the wooden sheds standing in for fuel while looking like makeshift coffins.  Whether it’s the death of the industrial past hinted at by the old railway sheds or more contemporary losses, this somber installation acts as a reminder to pause and reflect.  (On view through Dec 23rd).

Jannis Kounellis, Untitled, iron panels, bent metal, metal hooks; iron panels, rope, metal hooks; antique wardrobes, coal, overall dimensions variable, 2016.

Giuseppe Penone in ‘Arte Povera’ at Hauser & Wirth Gallery

In 1977, Arte Povera artist Giuseppe Penone grew potatoes inside casts of his ear, mouth and nose. The resulting face-shaped potatoes were cast in bronze and are set among real potatoes in Hauser and Wirth Gallery’s huge showcase of the Italian art movement that embraced ‘poor’ materials and rethought what art could be. (On view in Chelsea through Oct 28th).

Giuseppe Penone, Patate (Potatoes), five bronze casts, potatoes, installation dimensions variable, 1977.

Mario Merz at Sperone Westwater Gallery

Iconic Italian Arte Povera artist Mario Merz demonstrated his ongoing interest in the Fibonacci sequence this spiral table from 1982, now on view at Sperone Westwater Gallery. Merz translates the Fibonacci numbers – in which each number is the sum of the previous two – into a symbolic display of nature’s beautiful bounty. (On the Lower East Side through June 25th).

Mario Merz, Tavola a spirale (Spiral Table), aluminum, glass, fruit, vegetables, laurel branches, tar paper and beeswax, 216 inches diameter, 1982.
Mario Merz, Tavola a spirale (Spiral Table), aluminum, glass, fruit, vegetables, laurel branches, tar paper and beeswax, 216 inches diameter, 1982.

‘Ordering Nature’ at Marianne Boesky Gallery

An overturned boat on an inverted ocean, a neon shape grouped with three dried tobacco leaves and nests made by pet finches are three standout works in Marianne Boesky Gallery’s summer group show ‘Ordering Nature,’ organized by Kelly Woods. Whether they’re seen as collaborations with or manipulations of nature, the show’s ephemeral artworks tread lightly on the natural world, evoking wonder. (On the Lower East Side through July 31st).

Installation view of ‘Ordering Nature’ at Marianne Boesky Gallery’s 20 Clinton Street address on the Lower East Side, July 2015.

Gedi Sibony at Greene Naftali Gallery

Known for highly conceptual sculpture and installations using traditionally non-art materials, New York artist Gedi Sibony takes a step towards legibility in his latest show, which offers carpet painted with five images (an acorn, snowflake, seedling, sun and butterfly) that evoke the seasons.  Before them a scuffed, arc-shaped form recalls an empty stage – a platform signifying the potential to communicate.  (At Chelsea’s GreeneNaftali Gallery through June 15th.)  

Gedi Sibony, foreground sculpture: The Porcelains, wood and mixed media, 2013.  3 wall panels: Ceaseless Episodes of Blossom, carpet, primer, 2013.