Caroline Woolard and Lika Volkova in ‘NYC Makers’ at the Museum of Art & Design

One hundred artists on two museum floors make the Museum of Art and Design’s ‘NYC Makers’ one of the busiest in town with lots to discover and explore. For these garments, conceptual artist Caroline Woolard and designer Lika Volkova recycled unwanted paintings by various artists into chic, mobile canvases. (Through October 12th).


Tim Freccia at Ricco Maresca

Printed in life size and confronting viewers head-on, these arresting photos of South Sudan’s White Army show unique individuals who are nevertheless unknown. Taken by photojournalist Tim Freccia this year, they depict members of the Nuer ethnic group who are battling the nation’s other dominant group, the Dinka. (At Chelsea’s Ricco Maresca through September 13th.)

Tim Freccia, three type C-print surface mounted images, each titled ‘White Army,’ 84 x 42 inches, 2014.


Zhang Dali at Klein Sun Gallery

Ghostly white fiberglass figures representing migrant workers in Tiananmen Square make roosts for flapping doves in Beijing artist Zhang Dali’s exhibition at Chelsea’s KleinSun Gallery. Despite the dove as symbol of hope, the figures are washed of color and identity, bespeaking drab anonymity. (Through August 30th).

Zhang Dali, installation view of ‘Square’ at Klein Sun Gallery, June, 2014. Fiberglass and baking varnish.


Nancy Rubins at Gagosian Gallery

California artist Nancy Rubins has been collecting aluminum figures originally found on playgrounds; for her first major NY installation since showing at Lincoln Center in ’06, she combines them like organic masses into wall projections and freestanding sculpture to painterly effect. (At Gagosian Gallery’s 21st Street space through Sept 13th.)

Installation view of Nancy Rubins, ‘Our Friend Fluid Metal,’ at Gagosian Gallery’s 21st Street location, July, 2014.


Jason Larkin in ‘Interiors’ at Flowers Gallery

Part of a series of images shot in Egyptian museums, this intriguing 2009 image by British photographer Jason Larkin could have been taken decades ago. It appears to tell of information forgotten and marginalized. (At Chelsea’s Flowers Gallery through August 30th).

Jason Larkin, Museum 11, #3, archival pigment print, 30 x 30 inches, 2009.