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Jocelyn Hobbie in ‘Unrealism Part I’ at Fredericks & Freiser

Known for painting distracted young women, Jocelyn Hobbie’s contribution to Fredericks & Freiser’s summer group exhibition his typical, but this time she’s engulfed in a sea of distracting patterns (she’s even eating a design) making the model one with her environment. (In Chelsea through July 24th).

Jocelyn Hobbie, Untitled, oil on canvas, 24 x 24 inches, 2014.

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Carl Andre at Paula Cooper Gallery

Minimalist art pioneer Carl Andre accompanies his current Dia:Beacon retrospective with a show of work from the past thirty years at Paula Cooper Gallery. Here, two sculptures use cedar beams as building blocks, making an additive sculpture of strong, industrial materials. (Through July 25th).

Carl Andre, 4 x 4 Cedar Solid, 16 Western red cedar units, each 36 x 12 x 12 inches, 2008 (foreground). Bar, Douglas Fir (36 unit row), each 12 x 12 x 36 inches, 1981 (background).

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Nancy Lupo in ‘Mineral Spirit’ at Laurel Gitlen

LA based artist Nancy Lupo’s sculptures thrive on odd juxtapositions, like this Rubbermaid BRUTE trash can studded with traditional and eco-friendly brands of toilet tissue. In the background, Babybel cheese wheels punctuate a bright yellow can. (At Laurel Gitlen on the Lower East Side through August 1st).

Nancy Lupo, (foreground) So Soft and Delicious, 32-gallon Rubbermaid BRUTE container in white, Cottonelle, Quilted Northern, Angel Soft Pretty Prints, 7th Generation and 365 toilet tissues, 26 x 26 x 24 inches, 2014.

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Jonathan Monk in ‘Never Look Back When Leaving’ at Casey Kaplan Gallery

Working on the model of conceptual artists like On Kawara who famously used the mail to deliver art content, Berlin-based British artist Jonathan Monk devised this weekly letter as an art work in which he tries to guess the name of the mother-in-law of the work’s owner. (At Casey Kaplan Gallery in Chelsea through August 1st).

Jonathan Monk, Guessing your mother-in-law’s name, letter from the artist every Friday until he guesses correctly, 2003.

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David Kennedy Cutler in ‘Eric’s Trip’ at Lisa Cooley

Though hard to photograph, David Kennedy Cutler’s impressive sculptures – created by molding tall sheets of Plexi with a heat gun and his own body – are impossible to miss in Lisa Cooley Gallery’s summer group exhibition. While manifesting a ghostly, physical presence of their own, they also co-opt the gallery’s lighting and use the show’s other works as backdrop. (On the Lower East Side through August 1st).

David Kennedy Cutler, installation view at Lisa Cooley Gallery, July 2014. Plexiglas sculptures from the series, ‘No More Right Now Forever.’