Mark di Suvero’s huge new steel sculpture ‘Little Dancer’ at Chelsea’s Paula Cooper Gallery belies its title at 19 x 36 x 15 feet. Still, in comparison to the larger structure, spiraling forms hanging from the larger, angular structure are as graceful as tons of steel can get. (Through June 29th).
Mark di Suvero, Little Dancer, steel, 2010-12.
Mika Rottenberg’s acclaimed films evoke fascination and repulsion in equal measure as we watch eccentric characters labor to create ambiguous products in claustrophobic, factory-like settings. With jagged, candy-colored sheets of polyurethane resin propped against the wall at Chelsea’s Andrea Rosen Gallery, Rottenberg transforms her signature mix of sweet and grotesque into sculpture. (through June 22nd).
Mika Rottenberg, ‘Texture 1 & 3, Texture 2, part a, Texture 3 & 4,’ polyurethane resin, acrylic paint, installed dimensions variable, 2013.
Marianne Vitale’s ‘Diamond Crossing’ at Zach Feuer Gallery is one of the most minimal and therefore surprising installations in Chelsea right now and consists entirely of a five-ton section of decommissioned railroad track meeting in a junction. Like the burnt bridge and a bullet-riddled outhouse in her last show, it’s an iconic relic of the American landscape. (through June 15th).
Marianne Vitale, Diamond Crossing, steel, installation view, 2013.
British artist Marc Quinn has referred to his gargantuan bronze seashell sculptures as Venus’ pedestal (from Botticelli’s famous painting), a spiraling symbol of the world in motion, and a ‘symbol of a woman’s sex.’ Towering at over eight feet high, what they most symbolize (along with Jeff Koons’ and Paul McCarthy’s current Chelsea shows) is enormous production values. (At Mary Boone Gallery through June 29th).
Marc Quinn, Map of the Space-Time Continuum, bronze, 2013.
For a recent four year project titled ‘Neue Welt,’ Berlin and London-based photographer Wolfgang Tillmans traveled off the beaten track in what he called an ‘aimless’ journey to “…find subject matter that in some way or other speaks about the time I’m in.” A sampling from the resulting book is at Chelsea’s Andrea Rosen Gallery, offering disorientingly diverse glimpses of people and places around the planet. (through June 22nd).
Wolfgang Tillmans, ‘young man, Jeddah, b,’ inkjet print on paper, clips, 2012.