Isca Greenfield-Sanders at Ameringer McEnergy Yohe

Vintage color slides are the basis for Isca Greenfield-Sanders’ light infused beach scenes. Impossibly bright, they document a day by the water and suggest sunny memories. (At Ameringer McEnery Yohe in Chelsea through July 1st).

Isca Greenfield-Sanders, Beach (Detail), mixed media oil on canvas, 63 x 63 inches, 2107.

Joakim Ojanen at The Hole NYC

Swedish artist Joakim Ojanen’s odd ceramic heads resemble gourds and various animals, in this case, a bird. The creatures formerly manifest themselves in two dimensions as drawings. Now in the round, they allow Ojanen’s strange vision to inhabit space with us. (On view at The Hole on the Lower East Side through July 7th).

Joakim Ojanen, Monday Face, glazed stoneware, 17.5 x 12 x 13 inches, 2017.

Richard Artschwager in ‘Sites of Knowledge’ at Jane Lombard Gallery

Richard Artschwager’s two-foot tall wooden exclamation point – which shapes artistic language out of the forms of language itself – adds a note of excitement to Jane Lombard Gallery’s summer group show. (On view in Chelsea through July 28th).

Richard Artschwager, Exclamation Point, wood, 28.5 x 6.5 x 6.5 inches, 1970.

Nahum Tevet at James Cohan Gallery

Nahum Tevet’s wall mounted sculptures are small-scale but full of action, a workout for the eye. Frames, furniture and machines come to mind amid patterning that recalls mid-century abstraction, cut outs that recall typography, colors that shout and mirroring that makes every element repeat. (At James Cohan Gallery’s Lower East Side location through July 28th).

Nahum Tevet, Double Mirror (SLDB), acrylic and industrial painting on wood, veneer, metallic mirror, 19 5/8 x 16 ½ x 13 3/8 inches, 2015.

Fons Iannelli at Steven Kasher Gallery

After serving in the Naval Aviation Photographic Unit during WWII, Fons Iannelli returned to the States to establish a successful career photographing for McCall’s, Life, Fortune and other magazines. Alongside striking images of naval life, and later photos of efficient housewives shot for commercial purposes, Iannelli’s scenes from his 1946 Kentucky Coal Miner series, now on view at Chelsea’s Steven Kasher Gallery reveal the difficult circumstances of family life in the mining community. (On view through August 11th).

Fons Iannelli, Boy Smoking Cigarette (from the Kentucky Coal Miner series), Harlan County, KY, vintage gelatin silver print, printed ca. 1946, 10 ½ h x 10 ¼ w, 1946.