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Römer and Römer at Freight and Volume Gallery

Berlin-based artist couple Nina Römer and Torsten Römer travel the world photographing youth subcultures doing their own thing; here, two girls strut their Japanese street fashions. (At Freight and Volume, Chelsea, through April 26th.)

Römer & Römer, Face to Face, 79 x 104 inches, 2010.

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Rob Fischer at Derek Eller Gallery

Created from recycled materials, Rob Fischer’s ‘Good Weather (Glass House)’ on view at Chelsea’s Derek Eller Gallery offers bare bones living with a utilitarian kitchen and basic loft bedroom as well as an opportunity to commune with your surroundings, whether urban or rural. (Through April 19th).

Rob Fischer, Good Weather (Glass House),’ glass, steel, screenprint ink, acrylic and latex paint, construction adhesive, wood floor, lights, wires, 175 x 223 x 126 inches, 2014.

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Hans Schabus at Simon Preston Gallery

When hundreds of dealers from around the world converge at an art fair, how do they set themselves apart? At Art Basel Miami, Simon Preston Gallery brought their gallery doors with them per Vienna-based artist Hans Schabus’s instructions. Back in New York, with new doors installed outside, Schabus displayed the earlier versions, along with a rendering of the temporary plywood exterior and a drawing that questioned the importance of a gallery’s local setting. (On the Lower East Side through April 14, 2014).

Hans Schabus, installation view of ‘Lower East Side,’ at Simon Preston Gallery, March, 2014.

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Erwin Wurm at Lehmann Maupin Gallery

After visiting a chilling display of human bones at a cloister in Rome, Viennese artist Erwin Wurm adapted his signature ‘One Minute Sculptures’ (for which individuals pose with everyday objects in creative ways) into ‘One Minute Forever’ memento mori with a humorous twist. (At Chelsea’s Lehmann Maupin Gallery through April 19th).

Erwin Wurm, One Minute Forever (Bucket), epoxy resin, polyurethane, wood, metal, buckets, unique, 2013.

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Ross Bleckner at Mary Boone Gallery

Titled ‘(In)Security,’ this detail-view of an enticing if creepy new painting by New York artist Ross Bleckner offers the unnerving suggestion that we’re being watched, albeit by a range of characterful eyes. (At Mary Boone Gallery in Chelsea through April 26th).

Ross Bleckner, “(In)Security,” 27 x 144 inches, oil/linen, 2013-14.