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Markus Linnenbrink at Ameringer McEnery & Yohe

Known for vivid paintings composed of layers or drips of resin, German artist Markus Linnenbrink takes his embrace of color a step further in his latest solo show at Chelsea’s Ameringer McEnery & Yohe by creating an installation in the gallery’s back room that allows visitors to walk right into a painting. (Through October 4th).

Markus Linnenbrink, installation view at Ameringer McEnery & Yohe, Sept 2014.

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Tom Fruin at Mike Weiss Gallery

Brooklyn-based artist Tom Fruin recalls Lady Liberty’s flame and the colorful city grid in new sculpture at Chelsea’s Mike Weiss Gallery – both to be appreciated from the seat of a custom-designed swing. (Through October 18th).

Tom Fruin, (left) Billboard, powder-coated laser-cut steel, Plexiglas and painted aluminum, (right) Flame, steel and Detroit factory window glass, Dutch Masters Swing (Blue), powder-coated laser-cut steel and found chain, all three pieces 2014.

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Alina Szapocznikow in ‘The Obscure Object of Desire’ at Luxembourg & Dayan

Late Polish artist Alina Szapocznikow’s cast of her own lips as a lamp act as erotic beacon yet resemble a golf club, suggesting a mix of attraction and violence that makes this piece standout in Luxembourg & Dayan’s excellent group exhibition ‘The Obscure Object of Desire.’ (Through October 4th).

Alina Szapocznikow, Lampe-bouche, colored polyester resin, electrical wiring, and metal, 17 ¾ x 6 x 4 inches, 1966.

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Fred Wilson at Pace Gallery

Fred Wilson seems to bait his viewers by draining his show at Pace Gallery of color, presenting two austere bronzes in black and white, monochromatic flags from African and African diasporic countries, and more. The oversimplified dichotomy between black and white clashes with the variety of cultures represented by the sculpture and flags, encouraging a more nuanced engagement with racial difference. (In Chelsea through October 18th).

Fred Wilson, The Mete of the Muse, bronze with black patina and bronze with white paint, 2006.

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Mona Hatoum with Inaash at Alexander & Bonin Gallery

Traditional women’s work becomes political in an international way in Mona Hatoum’s latest solo show at Chelsea’s Alexander and Bonin Gallery. Featuring panels woven by Palestinian refugees in Lebanon, the installation symbolizes cultural practices interrupted by war. (Through October 18th).

Mona Hatoum with Inaash, Twelve Windows, 12 pieces of Palestinian embroidery on fabric, wooden clothes pegs, steel cable, each 39 3/8 x 29 3/8 inches, 2012-13.