{"id":9460,"date":"2021-09-20T16:00:59","date_gmt":"2021-09-20T20:00:59","guid":{"rendered":"https:\/\/newyorkarttours.com\/blog\/?p=9460"},"modified":"2021-09-20T15:38:33","modified_gmt":"2021-09-20T19:38:33","slug":"philip-guston-at-hauser-wirth-gallery","status":"publish","type":"post","link":"https:\/\/newyorkarttours.com\/blog\/2021\/09\/20\/philip-guston-at-hauser-wirth-gallery\/","title":{"rendered":"Philip Guston at Hauser & Wirth Gallery"},"content":{"rendered":"

When Philip Guston stopped painting in an abstract expressionist style and adopted a new, faux-na\u00efve look in 1970, art world response was so negative that the artist relocated to Rome for the better part of the following year. \u00a0\u2018Pittore,\u2019 part of a major show of Guston\u2019s late work at Hauser & Wirth Gallery<\/a>, expresses some of the anxiety that Guston must have felt as a painter, as well as his need to change to a representational style to engage in a more overt way with the politics of the day.\u00a0 Here, the artist lies awake in bed at night, his paint and brush beside him.\u00a0 Smoking, his eyes bloodshot, and with a clock rising behind him like a moon dominating a landscape, the pressure is palpable.\u00a0 (On view in Chelsea.\u00a0 Proof of vaccination, photo ID and masks are required).<\/p>\n

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Philip Guston, Pittore, oil on canvas, 72 \u00be x 80 \u00bd inches, 1973.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

When Philip Guston stopped painting in an abstract expressionist style and adopted a new, faux-na\u00efve look in 1970, art world response was so negative that the artist relocated to Rome for the better part of the following year. \u00a0\u2018Pittore,\u2019 part of a major show of Guston\u2019s late work at Hauser & Wirth Gallery, expresses some … <\/p>\n

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