{"id":8500,"date":"2019-12-28T11:00:11","date_gmt":"2019-12-28T16:00:11","guid":{"rendered":"https:\/\/newyorkarttours.com\/blog\/?p=8500"},"modified":"2025-02-09T18:51:35","modified_gmt":"2025-02-09T23:51:35","slug":"daniel-richter-at-grimm-gallery","status":"publish","type":"post","link":"https:\/\/newyorkarttours.com\/blog\/2019\/12\/28\/daniel-richter-at-grimm-gallery\/","title":{"rendered":"Daniel Richter at GRIMM Gallery"},"content":{"rendered":"

When German painter Daniel Richter radically switched painting styles c. 2015, moving from newspaper or history book-inspired representational scenes to more expressionistic scenarios, he explained that he wanted to get away from the \u2018theater stage,\u2019 and from \u2018\u2026knowing what I\u2019m about to do.\u2019\u00a0 His recent paintings at GRIMM Gallery<\/a> feature powerful, abstracted encounters between unknown actors, creating dramas that go beyond a particular moment in time.\u00a0 Here, two figures emerge from a dark background locked in combat against a dramatically lit sky, their large scale suggesting an apocalyptic encounter between the toga-clad character on the left and the alien-like combatant with elongated, insectoid leg on the left.\u00a0 (On view on the Lower East Side through Jan 4th<\/sup>).<\/p>\n

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Daniel Richter, UNSER DER TAG, oil on canvas, 90 \u00bd x 70 7\/8 inches, 2019.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

When German painter Daniel Richter radically switched painting styles c. 2015, moving from newspaper or history book-inspired representational scenes to more expressionistic scenarios, he explained that he wanted to get away from the \u2018theater stage,\u2019 and from \u2018\u2026knowing what I\u2019m about to do.\u2019\u00a0 His recent paintings at GRIMM Gallery feature powerful, abstracted encounters between unknown … <\/p>\n

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