{"id":7626,"date":"2018-07-28T10:00:42","date_gmt":"2018-07-28T14:00:42","guid":{"rendered":"http:\/\/newyorkarttours.com\/blog\/?p=7626"},"modified":"2025-02-14T21:41:17","modified_gmt":"2025-02-15T02:41:17","slug":"daniel-gordon-in-rose-is-a-rose-is-a-rose-is-a-rose-at-jack-hanley-gallery","status":"publish","type":"post","link":"https:\/\/newyorkarttours.com\/blog\/2018\/07\/28\/daniel-gordon-in-rose-is-a-rose-is-a-rose-is-a-rose-at-jack-hanley-gallery\/","title":{"rendered":"Daniel Gordon at Jack Hanley Gallery"},"content":{"rendered":"

Taking flowers or nature as the theme for a summer group exhibition isn\u2019t particularly original or necessarily avant-garde.\u00a0 Still, nature\u2019s beauty and uplift as symbol of regeneration is irresistible to audiences and to the curators of \u2018A Rose is a Rose is a Rose\u2019 at Jack Hanley Gallery<\/a>, who apologetically admit that painting flowers is \u2018embarrassing.\u2019\u00a0 This paper sculpture by Daniel Gordon, which recalls still lives throughout art history (think Cezanne and Matisse) and pushes the possibilities of photography as sculpture, suggests that the show\u2019s organizers have nothing to worry about.\u00a0 (On view on the Lower East Side through August 3rd<\/sup>).<\/p>\n

\"\"<\/a>
Daniel Gordon, Poppies, Pitcher & Fruits, pigment prints, glue and wire, 41 x 51 x 18 inches, 2018.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Taking flowers or nature as the theme for a summer group exhibition isn\u2019t particularly original or necessarily avant-garde.\u00a0 Still, nature\u2019s beauty and uplift as symbol of regeneration is irresistible to audiences and to the curators of \u2018A Rose is a Rose is a Rose\u2019 at Jack Hanley Gallery, who apologetically admit that painting flowers is … <\/p>\n

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