{"id":10139,"date":"2023-01-25T10:30:05","date_gmt":"2023-01-25T15:30:05","guid":{"rendered":"https:\/\/newyorkarttours.com\/blog\/?p=10139"},"modified":"2023-01-24T10:46:50","modified_gmt":"2023-01-24T15:46:50","slug":"ryan-sullivan-at-125-newbury","status":"publish","type":"post","link":"https:\/\/newyorkarttours.com\/blog\/2023\/01\/25\/ryan-sullivan-at-125-newbury\/","title":{"rendered":"Ryan Sullivan at 125 Newbury"},"content":{"rendered":"

Ryan Sullivan\u2019s abstractions invite viewers on a process of discovery in new work at 125 Newbury<\/a>; what appear to be relatively straightforward non-representational paintings are in fact complicated images created by both chance and forethought.\u00a0 Sullivan\u2019s working technique is key.\u00a0 Using pigment suspended in industrial grade resin, the artist makes the paintings \u2018backward,\u2019 by laying down the marks that will be seen on the surface, then continuing to add on the background layers, eventually moving the piece from its frame once set. \u00a0As much sculpture as painting, the untitled pieces foreground our own exploration of how to interpret what we\u2019re encountering in each dynamic and complex composition.\u00a0 (On view in Tribeca through Jan 28th<\/sup>).<\/p>\n

Ryan Sullivan, Untitled, cast urethane resin, fiberglass, epoxy, 88 \u00be x 79 \u00be inches, 2022.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Ryan Sullivan\u2019s abstractions invite viewers on a process of discovery in new work at 125 Newbury; what appear to be relatively straightforward non-representational paintings are in fact complicated images created by both chance and forethought.\u00a0 Sullivan\u2019s working technique is key.\u00a0 Using pigment suspended in industrial grade resin, the artist makes the paintings \u2018backward,\u2019 by laying … <\/p>\n

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