Wangari Mathenga doesn’t dream the way most people do. Able to dream while awake and be awake yet dreaming, Mathenga eventually realized that her sleep patterns were atypical and, in her recent body of painting at Nicola Vassell Gallery, pictures herself between states of consciousness. Though we see her pajama’d figure lying down, the artist’s interest is in the brain in an active sleep state and her pictures emerge from data taken from the cameras she set up in her home and the dream journals she keeps. Originally intending to paint the dreams she recorded, Mathenge instead focused on her own moving figure in canvases that offer intimate insights yet picture a state of consciousness accessible only to her. (On view in Chelsea through Oct 19th).
Mitch Epstein at Yancey Richardson Gallery
Over the past several decades, photographer Mitch Epstein’s series have memorably pictured conflict over land, energy consumption in the US, and landmarked trees in NYC; his latest body of work at Chelsea’s Yancey Richardson Gallery, ‘Old Growth’ continues to picture the land in a stunning homage to ancient trees across the country. A redwood emerges from fog, a striated bristlecone pine stands at attention and this enormous sequoia towers over a tiny human in images that aim to inspire the protection of forests in light of their beauty and essential function in the environment. (On view through Oct 19th).
Hilary Pecis at David Kordansky Gallery
The title of Hillary Pecis’ current New York solo show at David Kordansky Gallery, ‘Warm Rhythm’ perfectly describes the vibrant colors and abundant patterning of her new paintings. Set in LA and often inspired by scenes she encounters in her cross-country runs or daily life in the city, her paintings both sooth and excite with their tranquil subject matter rendered in bold color. The delectable quality of a still life with half-eaten lunch or this cozy scene with cat, reading lamp and mug carries over into delight at an orange house set against lush greens of a verdant front yard or the blooms spilling out of a vividly painted flower shop. (On view in Chelsea through Oct 12th).
Roy Nachum at Mercer Labs
Billed as a ‘museum of art and technology,’ Mercer Labs has generated buzz since opening in Spring ’24 across the street from the Oculus Transportation Hub in lower Manhattan. The 15-room immersive experience is a partnership between Roy Nachum, an NYC-based multi-media artist whose work has ranged from cover art for Rihanna’s 2015 ‘Anti’ album to photorealist portraiture collaborations with blind individuals, and developer Michael Cayre. In its current iteration, all rooms have been programmed with Nachum’s work, offering essentially a museum-sized solo show designed to overwhelm the senses with projected images in mirrored rooms. Signage in braille, an audio installation and a display of portraits previously shown at Chelsea gallery ‘A Hug From the Art World,’ nod to Nachum’s interest in creating accessibility for people who are sight-impaired, though the overall experience is designed to impress visually. Here, in a room titled ‘The Dragon,’ 507,000 LED lights powered by Dragon02 technology developed by Ledpulse create images via vertically-hung strings of LED lights. Mirrored walls, floor and ceiling amplify the effect, which Mercer Labs describes as like ‘passing through a hologram.’ (On view at 21 Dey Street. Tickets at https://www.mercerlabs.com).
Petrit Halilaj’s Met Museum Roof Commission
Sketches of flowers, two conversing birds, an eye, a huge drawing of a house and other line drawings are realized as free-standing steel sculpture in Met Museum’s current Roof Commission by Kosovan artist Petrit Halilaj. Titled ‘Abetare,’ after a textbook the artist used in school to learn the alphabet, the installation’s monumental size is belied by its delicate and casually rendered forms, all based on drawings the artist found on school desks in Kosovo and other Balkan countries. Prompted by the planned demolition of his old school, one of the few buildings that remained from the artist’s war-torn hometown, Halilaj preserved the markings of kids from years past, creating a language of drawings that expresses the thoughts and experience of young people. (On view through Oct 27th).