Steve Wolfe at Luhring Augustine Gallery

This well-worn tome isn’t a book at all but a meticulous painting by the artist Steve Wolfe. Not only does it memorialize a classic novel but serves as a tribute to Wolfe himself, who passed away last year.  Well-known for creating trompe l’oeil paintings of favorite books and records, Wolfe indirectly created a portrait of himself and his era. (At Luhring Augustine Gallery through March 11th).

Steve Wolfe, Untitled (Portrait of the Artist), oil, silkscreen, modeling paste, and linen on stretcher, 7 ¾ x 5 x ½ inches, 1991.

Joanna Malinowska at Canada New York

Nestled next to a pile of discarded Christmas trees, a figure resembling early 20th century Dada artist Hugo Ball is partially encased in an icy-blue material in the centerpiece of Joanna Malinowska’s latest solo show at Canada New York. In the past, Malinowska has considered Ball and other iconic artists in relation to non-western art practice; here, he appears to be have collected as part of a beaver dam and paralyzed by a block of ice. (On the Lower East Side through March 12th).

Joanna Malinowska, Still Life, mixed media, dimensions variable, 2017.

Jaume Plensa at Galerie Lelong

Jaume Plensa’s latest exhibition at Galerie Lelong continues his investigation of portraiture, featuring several of his signature, elongated heads with closed eyes that suggest unseen inner lives. In Chelsea, they are arranged on wooden beams and are joined by spectral faces on the wall that transform the gallery into a contemplative space. (On view through March 11th).

Jaume Plensa, Silence, melis wood, variable dimensions, 2016.

Elise Ansel at Danese Corey Gallery

Comparing Elise Ansel’s remake of Northern Renaissance master Hugo van der Goes’ Portinari altarpiece with the original isn’t the point. Ansel distills the main characters from the 15th century Adoration and enlivens them with a dynamic quality that doesn’t exist in the still and measured quality of the original, positing that color, not extreme detail carries the emotion of the scene. (At Danese Corey Gallery through March 11th).

Elise Ansel, Portinari Triptych, oil on linen, 60 x 144 (overall), 2016.

Vija Celmins at Matthew Marks Gallery

One stone is real, the other is a replica. Vija Celmins entices viewers to ponder which one came from the earth and which from the artist’s hand in this pairing at Matthew Marks Gallery’s 22nd Street space in Chelsea. In other works, Celmins turns her hand to the skies and the seas with meticulous realist paintings that celebrate the creative powers of the artist. (On view through April 15th).

Vija Celmins, Two Stones, one found stone and one made stone: bronze and alkyd oil, 2 ¼ x 8 x 5 ½ inches, 1977/2014-16.