Mairead O’hEocha at Callicoon Fine Arts

Mairead O’hEocha’s floral still life evokes paintings by 17th/18th century painter Rachel Ruysch while offering a more abstracted take on the genre. Flowers from around the world which may have bloomed at different times combined in the Netherlands to testify to Dutch trade power. Here, the rose at center signals waning strength as it begins to lose its petals. (At Callicoon Fine Arts hosting mothers tankstation limited, Dublin, for Condo New York on the Lower East Side through July 28th).

Mairead O’hEocha, Bouquet with Rose after Rachel Ruysch, oil on board, 31 ½ x 24 ½ inches, 2017.

Monira Al Qadiri in ‘Ordered Dance’ at Station Independent Projects

Monira Al Qadiri’s video ‘Travel Prayer’ combines footage of a camel race with the text of a traditional prayer for travel. Once, children were regularly injured and trafficked to race the animals, now camels are directed remotely by robot jockeys with mini whips. The prayers request for traveling mercy is powerfully apt. (At Station Independent Projects through July 23rd).

Monira Al Qadiri, Travel Prayer, video, 2:30min, 2015.

Yann Gerstberger at Lyles & King

Mounting material and hand-dyed mop head strands onto vinyl, French artist and Mexico City resident Yann Gerstberger makes bold, nearly abstract textiles that suggest tantalizing stories and histories. (At Lyles and King on the Lower East Side through July 28th).

Yann Gerstberger, Ataralla, cotton, natural dyes (grana cochinilla), synthetic dyes, vinyl banner, 113.375 x 94.5 inches, 2017.

Satoshi Kojima at Bridget Donahue Gallery

Satoshi Kojima’s pastel-colored dreamscapes feature a few enigmatic characters engaging in mysterious rituals. Here, two dapper yet sinisterly blank-eyed men either wave goodbye or set out to stop any trains that might roll into a platform that looks like a stage. (On view at Bridget Donahue Gallery on the Lower East Side through Aug 4th).

Satoshi Kojima, Last Dance, oil on canvas, 70.875 x 86.625 inches, 2016.

Hildur Asgeirsdottir Jonsson in ‘Brushless’ at Morgan Lehman Gallery

Brain scans, microorganisms and landscapes inspire Hildur Asgeirsdottir Jonsson’s woven silk textiles. In this detail from the towering, ten foot tall Dynjandi #2, Jonsson evokes the powerful force of a waterfall in her native Iceland. (At Morgan Lehman Gallery in Chelsea through July 28th).

Hildur Asgeirsdottir Jonsson, detail of Dynjandi #2, silk and dyes, 120 x 114 inches, 2017.