Yayoi Kusama at David Zwirner Gallery

As lines to visit Yayoi Kusama’s infinity rooms at David Zwirner Gallery stretch around the block, the octogenarian art star’s paintings and flower sculptures are ready to wow the eye without the wait. Both engulf the senses with exuberantly patterned, wildly colorful design. (On view through Dec 16th at David Zwirner Gallery’s 533 West 19th Street location.)

Yayoi Kusama, Installation view of ‘Festival of Life,’ David Zwirner Gallery, 533 West 19th Street, November 2017.

Ellen Harvey at Danese Corey

Did you capture the perfect eclipse picture as the moon passed in front of the sun in parts of the U.S. last August? For the many whose cameras let them down, Ellen Harvey’s sculpture – a hand-engraved on rear-lit Plexiglas mirror rendition of an iPhone – not only yields a picture of the pivotal moment but also recalls the frustrated efforts of unprepared cell phone photographers last summer. (On view at Danese Corey Gallery in Chelsea through Dec 23rd).

Ellen Harvey, iPhone Eclipse, laser and hand-engraved rear-lit Plexiglas mirror, 6.125 x 3 x .625 inches, 2017.

Shirazeh Houshiary at Lisson Gallery

Clouds of pigment abut clusters of hooked forms – the meeting point of lines which cover each canvas like a net – in Shirazeh Houshiary’s elegant new paintings at Lisson Gallery, suggesting areas of active organization amid nebulous clouds. (On view at Lisson Gallery’s 24th Street space through Dec 22nd).

Shirazeh Houshiary, detail of Rift, pigment and pencil on white Aquacryl on canvas and aluminum.

Jessica Jackson Hutchins at Marianne Boesky Gallery

Jessica Jackson Hutchins’ work elicits appreciation of the uncharming extraordinary in life. ‘Cushion,’ from the artist’s latest solo show at Marianne Boesky Gallery, is no exception. Two misshapen figures intertwine on a couch cushion, enjoying a moment of tenderness and connection. (On view in Chelsea through Dec 22nd).

Jessica Jackson Hutchins, Cushion, ceramic, cushion, 26 ½ x 32 x 32 inches, 2017.

Jim Shaw at Metro Pictures

The perfectly coiffed blond hair of the model in this surreal painting by Jim Shaw is not only coming from her head but powering her whole being as she emerges from a mass of curls like a genie materializes from smoke. Now on view at Chelsea’s Metro Pictures Gallery, the painting is part of Shaw’s bizarre but powerfully intriguing merger of advertising imagery and storytelling. (On view through Dec 22nd).

Jim Shaw, The Ties that Bind, acrylic on muslin, 56 x 48 inches, 2017.