Dana Powell at Tanya Bonakdar Gallery

The pre-fireworks have already begun in anticipation of July 4th’s big celebrations, not just in NYC neighborhoods but in Chelsea at Tanya Bonakdar Gallery, where Dana Powell’s ‘TBT’ recalls the thrills of unsanctioned pyrotechnics.  (On view in Chelsea through July 26th).

Dana Powell, TBT, oil on linen, 11 x 14 inches, 2019.

Josh Smith at David Zwirner Gallery

‘Holiday,’ Josh Smith’s painting of the Grim Reaper, may represent a vacation in Edvard Munch’s world, but otherwise has more to do with livening up a typically drab comic convention.  A super-abundance of cute bats, Death’s multi-colored robe and a huge moon that’s more pretty-in-pink than bloody liven up a scene that should be darker than it is.  While this representation might not exactly make death look good, the makeover is worth thinking about.  (On view at David Zwirner Gallery in Chelsea through July 19th).

Josh Smith, Holiday, oil on linen, 84 x 72 inches, 2019.

Scott Olson at James Cohan Gallery

Scott Olson’s new biomorphic abstractions at James Cohan Gallery’s Lower East Side location continue to tap into the language of early 20th century non-objective art, engaging the imagination with a pleasing play of color and form.  A rectangle of dark space at the bottom of the composition sets off what’s above – an array of shapes that tempt interpretation, guiding the eye along diagonally sloping paths toward imagery that resembles the stalks of plants or, above, a segmented area that suggests an arachnid or segmented fruit.  (On view through July 26th).

Scott Olson, Untitled, oil on linen with artist frame, 33 ½ x 23 ½ inches, 2019.

Sarah Cain in ‘cart, horse, cart’ at Lehmann Maupin Gallery

Using unconventional painting materials like the jewelry chains crisscrossing this canvas, LA-based artist Sarah Cain aims to prompt memories and evoke emotions in her viewers. Actually titled ‘Emotions,’ this painting simultaneously suggests a spill of paint, hanging fabric and fairground flags, blurring abstraction and representation and taking the mind several places at once.  (On view in Lehmann Maupin Gallery’s summer group show ‘cart, horse, cart’ in Chelsea through August 16th).

Sarah Cain, Emotions, acrylic and chains on canvas, 72 x 60 inches, 2018.

Kathia St Hilaire at Derek Eller Gallery

Three children forge ahead into the unknown on a boat made of braiding hair packaging in this oil-based relief collage on canvas by Yale MFA candidate Kathia St Hilaire.  A standout in Derek Eller Gallery’s current group show, St Hilaire’s image features kids venturing forth under a blazing sun to navigate their own identities and paths in life.  (On view on the Lower East Side through July 3rd).

Kathia St Hilaire, detail of 100% Kanekalon, oil-based relief collage on canvas, kanekalon braiding hair, 54.5 x 42 inches, 2018.