Parallel to the panels of the folding screen to the right, the objects and people in Sally J. Han’s painting ‘Grandma’s Color Television’ (a standout in the summer group show ‘The Selves,’ at Nicola Vassell Gallery) lead the eye back into private, domestic space that suggests insights into the artist’s life. A glass dish in the foreground brings viewers to a young woman in a traditional Korean robe (Han was born in China and raised in Korea before moving to the US at age 17) and beyond to her grandmother, dozing in front of the TV. On the room’s back wall is a painting of a celestial body that recurs in Han’s work, in one earlier work hovering over the protagonist as she lies in bed. Children’s drawings on the wall nearby speak to creative production over time. Spare and tranquil, the environment suggests reflection; gorgeously colored clothing, a brightly lit space and ripe fruit on the screen and in the young woman’s hand speaks to the pleasure of the senses. (On view in Chelsea through Aug 9th).
Lisha Bai in ‘Cover Band’ at Asya Geisberg Gallery
Asya Geisberg Gallery’s summer group show ‘Cover Band,’ curated by gallery artist Gabriela Vainsencher, features artwork by fourteen artists whose work playfully engages with their artist forebears. Rebecca Morgan recasts Artemisia Gentileschi’s Penitent Magdalene as a self-portrait of the artist, bug-eyed and suffering from ailments including the effects of the ADHD medicine shortage. Elisa Soliven remakes and updates an intriguing square-bodied torso made by an unknown neolithic artist while here, 20th century German-Brazilian artist Eleanore Koch’s ‘Study for a Dreaming Palm Tree’ appears through a window of Lisha Bai’s hanging fabric work, as Bai retains but complicates Koch’s pared down style. (On view in Tribeca through Aug 16th).
Cynthia Talmadge in ‘The Swimmer’ at FLAG Art Foundation
Inspired by a 1964 short story by John Cheever in which the main character decides to swim home via a series of privately owned pools, FLAG Art Foundation’s summer group show, curated by Jonathan Rider, includes work by well over two dozen artists who picture mostly unpeopled pools and bodies of water. Here, Cynthia Talmadge’s ‘Pool,’ recalls winter days when the water is less inviting. Nearby, the sense of absence continues with Elmgreen & Dragset’s piece composed of two pairs of Calvin Klein men’s underwear nestled in two pairs of discarded 501 jeans and Zoe Crosher’s photos of sites where real or fictional people have gone missing. Martin Boyce’s faux leaves, scattered on the floor and titled ‘Evaporated Pools’, reinforce the out-of-season feel to a summer group show that goes against the grain of summer fun, instead conveying a contemplative quiet that offers its own pleasures. (On view in Chelsea through Aug 9th).
Melissa Cody in ‘Patterns’ at Luhring Augustine Gallery
Melissa Cody’s ‘Dopamine Dream,’ a standout in Luhring Augustine Gallery’s summer group show ‘Patterns,’ offers the pleasure alluded to in its title via vibrant color and complex patterning. Though Cody is a fourth-generation Navajo weaver who works on a traditional loom, she also codes jacquard weavings, allowing her to experiment with additional colors and forms. Traditional Navajo iconography, like the multiple crosses seen here referring to Spider Woman, mixes with a sense of space made more complex by the influence of video games and the digital realm. (On view in Chelsea through Aug 2nd).
Samara Golden in ’Material World’ at Marianne Boesky Gallery
LA artist Samara Golden turns conventional space on its head in immersive installations like her memorable show at CANADA Gallery in 2015, for which she employed mirrors, an elevated walkway and tables and chairs affixed to the wall to suggest an event space from a parallel dimension. A fragment related to that body of work is a standout in Marianne Boesky Gallery’s summer group show ‘Material World,’ curated by Gina Beavers, another artist whose paintings and installations spring off the wall with their bold, often humorous imagery. The show includes an aluminum textile-like wall work by El Anatsui, a geometric sculpture made of quilts by Sanford Biggers and a painted ceramic ice cream dessert by Claes Oldenburg, all of which have been inspirations for Beaver’s work and which act as an enticing prelude to her upcoming show in September. (On view through July 26th).