Young Saskatchewan-based artist Zachari Logan asserts a new place in the natural world for the male body in works like ‘Leshy,’ a human figure created from flora and fauna, beautifully rendered in pastels on black paper. (At Julie Saul Gallery in Chelsea through Aug 12th).
Realist painter Don Nice pairs soda pop and pop corn in a Warholian consideration of the allure of brightly packaged processed food. These two paintings hang side by side in Nice’s current show at Driscoll Babcock Galleries, as if arranged for our viewing and eating pleasure. (In Chelsea through Aug 12th).
Karen Lederer’s ‘Hipster Wellness’ is a standout in Driscoll Babcock’s summer group show of painting by young artists who follow new approaches to traditional still life. Bright colors dominate, particularly a glowing bowl of Cheetos, which balances the orange color squares on an art book about Josef Albers. Painted as if seen in digital space, the picture includes Lederer’s own hand, not wielding a brush but as if poised to take a selfie. (In Chelsea through Aug 12th).
The changing built environment is the subject of Bortolami Gallery’s summer group exhibition, which opens with Scott King’s hard-to-miss ‘Temporary Eyesore.’ The printed banner brings to mind ‘pardon our appearance’ signs on renovation sites, albeit at a gargantuan scale, while the text seems to promise that a space deemed unpleasing to the eye will soon be taken care of. (In Chelsea through Aug 12th)
Imi Knoebel’s large potato paintings are a standout in Luhring Augustine’s impressive intergenerational summer painting exhibition. Organic and geometric shapes seem to vie for dominance while muted tones struggle with vibrant color. (At Luhring Augustine Gallery through August 12th).
