Joanna Pousette-Dart in ‘Aspects of Abstraction’ at Lisson Gallery

Though abstract, Joanna Pousette-Dart’s paintings are inspired by landscapes she has experienced in her travels to New Mexico. In this new piece created for Lisson Gallery’s summer survey of select abstract painting, the bright light of day fades to dark night in a progression of curving canvases. (On view in Lisson Gallery’s 10th Avenue location through August 11th).

Joanna Pousette-Dart, 3 Part Variation #11, acrylic on canvas on wood panels, 174.6 x 218.4cm, 2017.

Lino Tagliapietra at Heller Gallery

Bold color and abundant detail prompt Heller Gallery to compare master glassmaker and artist Lino Tagliapietra’s pieces to a mini-fireworks display. This vibrant vessel demonstrates many of the techniques that Tagliapietra used as a glassmaker in Murano and which he has generously shared in his world-wide travels. (At Heller Gallery in Chelsea through August 11th).

Lino Tagliapietra, (detail of) Osaka, glass, 22 x 10 ½ x 10 ½ inches, 2012.

Robert Longo in ‘A New Ballardian Vision’ at Metro Pictures

From huge charcoal drawings to weighty bronzes, Robert Longo has returned to images of the U.S. flag throughout his career in an on-going exploration of power and politics. Here, the mirrored surface of this flag makes viewers part of an object and a symbol.   (At Metro Pictures Gallery in Chelsea through August 4th).

Robert Longo, Untitled (Mirror Flag), silver oxide, clear coated aluminum bonded polyester resin, 42 x 56 x 14 inches, 2015.

Ceal Floyer at 303 Gallery

The bottom is about to fall out of 303 Gallery, or so it seems to judge by Ceal Floyer’s ‘Saw,’ a blade projecting from the gallery floor by a painted black circular line. With the menace of a shark’s protruding dorsal fin and a comedic quality of a Wile E Coyote blunder, the sculpture begs the question of what will surface. (On view in Chelsea through July 14th).

Ceal Floyer, Saw, blade, acrylic, chalk marker, dimensions variable, 2015.

Betty Parsons at Alexander Gray Associates

Famed art dealer Betty Parsons never gave up on her own artistic practice; this piece from her later years references Native American art, referring in its title to the Oglala Lakota. Created from driftwood she scavenged from the beach near her Long Island home, this colorful organic abstraction demonstrates her interest in mysticism that takes us beyond the every day realm. (At Alexander Gray Associates in Chelsea through July 14th).

Betty Parsons, II Oglala, acrylic on wood, 31 h x 33 w x 16 d, 1979.